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Sadder than the beggar is the man who eats alone in public.

Jean Baudrillard

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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Eats
Beggar
Public
Alone
Men
Sadder

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Business owners are like joggers. If you stop a jogger, he goes on running on the spot. If you drag an owner away from his business, he goes on running on the spot, pawing the ground, talking business. He never stops hurtling onwards, making decisions and executing them.
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If you assume any rate of improvement at all then the games will become indistinguishable from reality. It would seem to follow that the odds that we are in base reality would be one in billions.
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Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
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The desert is a natural extension of the inner silence of the body. If humanity's language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity's disappearance.
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If you say, I love you, then you have already fallen in love with language, which is already a form of break up and infidelity.
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Art does not die because there is no more art. It dies because there is too much.
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Man has lost the basic skill of the ape, the ability to scratch its back. Which gave it extraordinary independence, and the liberty to associate for reasons other than the need for mutual back-scratching.
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Animals have no unconscious, because they have a territory. Men have only had an unconscious since they lost a territory.
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History that repeats itself turns to farce. Farce that repeats itself turns to history.
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A successful object is one which exists beyond its own reality, which creates a dual (and not merely interactlve) relation (with its users also), a relation of contradiction, misappropriation and destablilisation.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
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Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
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Feelings are never true. They play with their mirrors.
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It is always the same: once you are liberated, you are forced to ask who you are.
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The order of the world is always right - such is the judgment of God. For God has departed, but he has left his judgment behind, the way the Cheshire Cat left his grin.
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The liberated man is not the one who is freed in his ideal reality, his inner truth, or his transparency he is the man who changes spaces, who circulates, who changes sex, clothes, and habits according to fashion, rather than morality, and who changes opinions not as his conscience dictates but in response to opinion polls.
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The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning.
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At male strip shows, it is still the women that we watch, the audience of women and their eager faces. They are more obscene than if they were dancing naked themselves.
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Smile and others will smile back. Smile to show how transparent, how candid you are. Smile if you have nothing to say. Most of all, do not hide the fact you have nothing to say nor your total indifference to others. Let this emptiness, this profound indifference shine out spontaneously in your smile.
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Kitschis one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of trashy, sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the cliché in discourse.
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