Quote

The Yuppies are not defectors from revolt, they are a new race, assured, amnestied, exculpated, moving with ease in the world of performance, mentally indifferent to any objective other than that of change and advertising.

Jean Baudrillard

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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Ease
Yuppies
Performance
Revolt
Performances
Mentally
Race
Assured
Moving
Indifferent
Change
Objective
World
Objectives
Advertising
Defectors

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Illusion is no longer possible, because the real is no longer possible.
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Feelings are never true. They play with their mirrors.
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There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.
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Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.
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Animals have no unconscious, because they have a territory. Men have only had an unconscious since they lost a territory.
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It is the corpse of the bourgeoisie that separates us. With us, it is that class that is the carrier of the chromosome of banality.
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Art does not die because there is no more art. It dies because there is too much.
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Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated.
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We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in the social, our historic passions have withdrawn into the glow of an artificial coziness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.
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Like dreams, statistics are a form of wish fulfillment.
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There is nothing funny about Halloween. This sarcastic festival reflects, rather, an infernal demand for revenge by children on the adult world.
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America is the original version of modernity. We are the dubbed or subtitled version. America ducks the question of origins it cultivates no origin or mythical authenticity it has no past and no founding truth. Having known no primitive accumulation of time, it lives in a perpetual present.
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The repentant, run-to-seed ultra-Leftists who have converted to humanitarianism, artificial inseminators of the widow and the orphan, themselves orphans of reality and malades imaginaires of politics, premature ejaculators of posthistory and hyperchondriacs of the dead body of ideology and morality.
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[I]nside every computer, there is a hidden man being bored.
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Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
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the neighborhood is nothing but a protective zone- remodeling, disinfection, a snobbish and hygenic design- but above all in a figurative sense: it is a machine for making emptiness.
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Every photographed object is merely the trace left behind by the disappearance of all the rest. It is an almost perfect crime, an almost total resolution of the world, which merely leave the illusion of a particular object shining forth, the image of which then becomes an impenetrable enigma.
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The desert is no longer a landscape, it is a pure form produced by the abstraction of all others.
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