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I hesitate to deposit money in a bank. I am afraid I shall never dare to take it out again
Jean Baudrillard
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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Money
Deposits
Take
Hesitate
Never
Bankers
Banking
Bank
Dare
Afraid
Shall
Deposit
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The era of the political was one of anomie: crisis, violence, madness and revolution. The era of the trans-political is that of anomaly: an aberration of no consequence, contemporaneous with the event of no consequence.
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We are no longer dealing with historical events, but with places of collapse.
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Feelings are never true. They play with their mirrors.
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You are born modern, you do not become so.
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Disneyland is presented as imaginary in order to make us believe that the rest is real.
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Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated.
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Terror is as much a part of the concept of truth as runniness is of the concept of jam. We wouldn't like jam if it didn't, by its very nature, ooze. We wouldn't like truth if it wasn't sticky, if, from time to time, it didn't ooze blood.
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Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.
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Power is only too happy to make football bear a diabolical responsibility for stupefying the masses.
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History that repeats itself turns to farce. Farce that repeats itself turns to history.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
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It is always the same: once you are liberated, you are forced to ask who you are.
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Neither dead nor alive, the hostage is suspended by an incalculable outcome. It is not his destiny that awaits for him, nor his own death, but anonymous chance, which can only seem to him something absolutely arbitrary. He is in a state of radical emergency, of virtual extermination.
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... the age of simulation thus begins with a liquidation of all referentials - worse: by their artificial resurrection in systems of signs, a more ductile material than meaning... It is no longer a question of imitation, nor of reduplication, nor even of parody. It is rather a question of substituting signs of the real for the real itself.
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Laughter on American television has taken the place of the chorus in Greek tragedy. In other countries, the business of laughing is left to the viewers. Here, their laughter is put on the screen, integrated into the show. It is the screen that is laughing and having a good time. You are simply left alone with your consternation.
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