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Sadder than destitution, sadder than a beggar is the man who eats alone in public. Nothing more contradicts the laws of man or beast, for animals always do each other the honor of sharing or disputing each other's food.
Jean Baudrillard
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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Men
Food
Sadder
Animal
Eats
Public
Beggar
Alone
Sharing
Law
Beast
Inspirational
Animals
Disputing
Nothing
Laws
Destitution
Always
Honor
Contradicts
More quotes by Jean Baudrillard
Disneyland is presented as imaginary in order to make us believe that the rest is real.
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Postmodernity is said to be a culture of fragmentary sensations, eclectic nostalgia, disposable simulacra, and promiscuous superficiality, in which the traditionally valued qualities of depth, coherence, meaning, originality, and authenticity are evacuated or dissolved amid the random swirl of empty signals.
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At the heart of pornography is sexuality haunted by its own disappearance.
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Genius is childhood recaptured.
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For the heavenly fire no longer strikes depraved cities, it is rather the lens which cuts through ordinary reality like a laser, putting it to death.
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Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
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Imagine the amazing good fortune of the generation that gets to see the end of the world. This is as marvelous as being there in the beginning.
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Americans may have no identity, but they do have wonderful teeth.
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Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.
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The repentant, run-to-seed ultra-Leftists who have converted to humanitarianism, artificial inseminators of the widow and the orphan, themselves orphans of reality and malades imaginaires of politics, premature ejaculators of posthistory and hyperchondriacs of the dead body of ideology and morality.
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What is a society without a heroic dimension?
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For me, the photography, in its purest form, is a variant of the fable. Another way of saving the appearances - a way of signifying, through this fabulous capture, that this supposed real world is always about to lose its meaning and its reality.
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The price we pay for the complexity of life is too high.
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The sumptuous age of stars and images is reduced to a few artificial tornado effects, pathetic fake buildings, and childish tricks which the crowd pretends to be taken in by to avoid feeling too disappointed. Ghost towns, ghost people. The whole place has the same air of obsolescence about it as Sunset or Hollywood Boulevard.
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It is not enough for theory to describe and analyze, it must itself be an event in the universe it describes.
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History that repeats itself turns to farce. Farce that repeats itself turns to history.
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Depression moods lead, almost invariably, to accidents. But, when they occur, our mood changes again, since the accident shows we can draw the world in our wake, and that we still retain some degree of power even when our spirits are low. A series of accidents creates a positively light-hearted state, out of consideration for this strange power.
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The liberated man is not the one who is freed in his ideal reality, his inner truth, or his transparency he is the man who changes spaces, who circulates, who changes sex, clothes, and habits according to fashion, rather than morality, and who changes opinions not as his conscience dictates but in response to opinion polls.
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There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.
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