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This is what terrorism is occupied with as well: making real, palpable violence surface in opposition to the invisible violence of security.

Jean Baudrillard

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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Violence
Simulacrum
Making
Palpable
Wells
Occupied
Well
Opposition
Real
Terrorism
Invisible
Surface
Security

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Simulation is the situation created by any system of signs when it becomes sophisticated enough, autonomous enough, to abolish its own referent and to replace it with itself.
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The repentant, run-to-seed ultra-Leftists who have converted to humanitarianism, artificial inseminators of the widow and the orphan, themselves orphans of reality and malades imaginaires of politics, premature ejaculators of posthistory and hyperchondriacs of the dead body of ideology and morality.
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Kitschis one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of trashy, sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the cliché in discourse.
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I hesitate to deposit money in a bank. I am afraid I shall never dare to take it out again
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The new shopping malls make possible the synthesis of all consumer activities, not least of which are shopping, flirting with objects, idle wandering, and all the permutations of these.
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Art does not die because there is no more art. It dies because there is too much.
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If everything is perfect, language is useless. This is true for animals. If animals don't speak, it's because everything's perfect for them. If one day they start to speak, it will be because the world has lost a certain sort of perfection.
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You are born modern, you do not become so.
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In the same way that we need statesmen to spare us the abjection of exercising power, we need scholars to spare us the abjection of learning.
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Driving is a spectacular form of amnesia. Everything is to be discovered, everything to be obliterated.
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The sumptuous age of stars and images is reduced to a few artificial tornado effects, pathetic fake buildings, and childish tricks which the crowd pretends to be taken in by to avoid feeling too disappointed. Ghost towns, ghost people. The whole place has the same air of obsolescence about it as Sunset or Hollywood Boulevard.
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Power is only too happy to make football bear a diabolical responsibility for stupefying the masses.
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The price we pay for the complexity of life is too high.
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The obese is in a total delirium. For he is not only large, of a size opposed to normal morphology: he is larger than large. He no longer makes sense in some distinctive opposition, but in his excess, his redundancy.
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Disneyland is presented as imaginary in order to make us believe that the rest is real.
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The liberated man is not the one who is freed in his ideal reality, his inner truth, or his transparency he is the man who changes spaces, who circulates, who changes sex, clothes, and habits according to fashion, rather than morality, and who changes opinions not as his conscience dictates but in response to opinion polls.
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One has never said better how much humanism, normality, quality of life were nothing but the vicissitudes of profitability.
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Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.
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To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.
Jean Baudrillard