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This is what terrorism is occupied with as well: making real, palpable violence surface in opposition to the invisible violence of security.

Jean Baudrillard

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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Surface
Security
Violence
Simulacrum
Making
Palpable
Wells
Occupied
Well
Opposition
Real
Terrorism
Invisible

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There is no human reason to be here, except for the sheer ecstasy of being crowded together.
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The liberated man is not the one who is freed in his ideal reality, his inner truth, or his transparency he is the man who changes spaces, who circulates, who changes sex, clothes, and habits according to fashion, rather than morality, and who changes opinions not as his conscience dictates but in response to opinion polls.
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If you assume any rate of improvement at all then the games will become indistinguishable from reality. It would seem to follow that the odds that we are in base reality would be one in billions.
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Genius is childhood recaptured.
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It is always the same: once you are liberated, you are forced to ask who you are.
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We live in a world where there is more and more information, and less and less meaning.
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Cities are distinguished by the catastrophic forms they presuppose and which are a vital part of their essential charm. New York is King Kong, or the blackout, or vertical bombardment: Towering Inferno. Los Angeles is the horizontal fault, California breaking off and sliding into the Pacific: Earthquake.
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The obese is in a total delirium. For he is not only large, of a size opposed to normal morphology: he is larger than large. He no longer makes sense in some distinctive opposition, but in his excess, his redundancy.
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The sickly cultural pathos which the whole of France indulges in, that fetishism of the cultural heritage.
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The most embarrassing part of the film is that the new problem posed by simulation is confused with its classical, Platonic treatment ... The Matrix is surely the kind of film about the matrix that the matrix would have been able to produce.
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It is the corpse of the bourgeoisie that separates us. With us, it is that class that is the carrier of the chromosome of banality.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
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Americans may have no identity, but they do have wonderful teeth.
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If everything is perfect, language is useless. This is true for animals. If animals don't speak, it's because everything's perfect for them. If one day they start to speak, it will be because the world has lost a certain sort of perfection.
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Computer science only indicates the retrospective omnipotence of our technologies. In other words, an infinite capacity to process data (but only data -- i.e. the already given) and in no sense a new vision. With that science, we are entering an era of exhaustivity, which is also an era of exhaustion.
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Depression moods lead, almost invariably, to accidents. But, when they occur, our mood changes again, since the accident shows we can draw the world in our wake, and that we still retain some degree of power even when our spirits are low. A series of accidents creates a positively light-hearted state, out of consideration for this strange power.
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Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
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America is the original version of modernity. We are the dubbed or subtitled version. America ducks the question of origins it cultivates no origin or mythical authenticity it has no past and no founding truth. Having known no primitive accumulation of time, it lives in a perpetual present.
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Disneyland is presented as imaginary in order to make us believe that the rest is real.
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I hesitate to deposit money in a bank. I am afraid I shall never dare to take it out again. When you go to confession and entrust your sins to the safe-keeping of the priest, do you ever come back for them?
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