Quote

I hesitate to deposit money in a bank. I am afraid I shall never dare to take it out again. When you go to confession and entrust your sins to the safe-keeping of the priest, do you ever come back for them?

Jean Baudrillard

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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
Ever
Keeping
Hesitate
Come
Dare
Priest
Take
Sin
Bankers
Never
Safe
Banking
Afraid
Confession
Shall
Priests
Entrust
Money
Bank
Deposit
Back
Sins
Deposits

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Here in the U.S., culture is not that delicious panacea which we Europeans consume in a sacramental mental space and which has its own special columns in the newspapers - and in people's minds. Culture is space, speed, cinema, technology. This culture is authentic, if anything can be said to be authentic.
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The desert is a natural extension of the inner silence of the body.
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The new shopping malls make possible the synthesis of all consumer activities, not least of which are shopping, flirting with objects, idle wandering, and all the permutations of these.
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We are no longer dealing with historical events, but with places of collapse.
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Y a-t-il plus belle parodie de l'éthique de la valeur que de se soumettre avec toute l'intransigeance de la vertu aux données du hasard ou à l'absurdité d'une règle?
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To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.
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The opposite of knowledge is not ignorance, but deceit and fraud.
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Images have become our true sex objects. It is this promiscuity and the ubiquity of images, this viral contamination of images which are the fatal characteristics of our culture.
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At the heart of pornography is sexuality haunted by its own disappearance.
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... the age of simulation thus begins with a liquidation of all referentials - worse: by their artificial resurrection in systems of signs, a more ductile material than meaning... It is no longer a question of imitation, nor of reduplication, nor even of parody. It is rather a question of substituting signs of the real for the real itself.
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A woman spent all Christmas Day in a telephone box without ringing anyone. If someone comes to phone, she leaves the box, then resumes her place afterwards. No one calls her either, but from a window in the street, someone watched her all day, no doubt since they had nothing better to do. The Christmas syndrome.
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[I]nside every computer, there is a hidden man being bored.
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Animals have no unconscious, because they have a territory. Men have only had an unconscious since they lost a territory.
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Genius is childhood recaptured.
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the neighborhood is nothing but a protective zone- remodeling, disinfection, a snobbish and hygenic design- but above all in a figurative sense: it is a machine for making emptiness.
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We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in the social, our historic passions have withdrawn into the glow of an artificial coziness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.
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Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
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The image is not a medium for which we have to find the proper use. It is what it is and it is beyond all our moral considerations. It is by its essence immoral, and the world's becoming-image is an immoral process.
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Power is only too happy to make football bear a diabolical responsibility for stupefying the masses.
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All societies end up wearing masks.
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