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There is nothing funny about Halloween. This sarcastic festival reflects, rather, an infernal demand for revenge by children on the adult world.

Jean Baudrillard

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Jean Baudrillard
Age: 77 †
Born: 1929
Born: July 29
Died: 2007
Died: March 6
Anthropologist
Literary Critic
Philosopher
Photographer
Professor
Sociologist
Translator
Rheims
Ḻāṉ Pōtriyā
World
Adult
Revenge
Infernal
Adults
Spooky
Demand
Festival
Rather
Festivals
Funny
Reflects
Nothing
Halloween
Children
Sarcastic

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Contact with men who wield power and authority still leaves an intangible sense of repulsion. It's very like being in close proximity to fecal matter, the fecal embodiment of something unmentionable, and you wonder what it is made of and when it acquired its historically sacred character.
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America is the original version of modernity. We are the dubbed or subtitled version. America ducks the question of origins it cultivates no origin or mythical authenticity it has no past and no founding truth. Having known no primitive accumulation of time, it lives in a perpetual present.
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The need to speak, even if one has nothing to say, becomes more pressing when one has nothing to say, just as the will to live becomes more urgent when life has lost its meaning.
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A successful object is one which exists beyond its own reality, which creates a dual (and not merely interactlve) relation (with its users also), a relation of contradiction, misappropriation and destablilisation.
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Computer science only indicates the retrospective omnipotence of our technologies. In other words, an infinite capacity to process data (but only data -- i.e. the already given) and in no sense a new vision. With that science, we are entering an era of exhaustivity, which is also an era of exhaustion.
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The desert is a natural extension of the inner silence of the body. If humanity's language, technology, and buildings are an extension of its constructive faculties, the desert alone is an extension of its capacity for absence, the ideal schema of humanity's disappearance.
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The most embarrassing part of the film is that the new problem posed by simulation is confused with its classical, Platonic treatment ... The Matrix is surely the kind of film about the matrix that the matrix would have been able to produce.
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There is no human reason to be here, except for the sheer ecstasy of being crowded together.
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The simulacrum is never that which conceals the truth--it is the truth which conceals that there is none. The simulacrum is true.
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You are born modern, you do not become so.
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The sickly cultural pathos which the whole of France indulges in, that fetishism of the cultural heritage.
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Sadder than the beggar is the man who eats alone in public.
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Kitschis one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of trashy, sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the cliché in discourse.
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Y a-t-il plus belle parodie de l'éthique de la valeur que de se soumettre avec toute l'intransigeance de la vertu aux données du hasard ou à l'absurdité d'une règle?
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Photography is our exorcism. Primitive society had its masks, bourgeois society its mirrors. We have our images.
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We shall never resolve the enigma of the relation between the negative foundations of greatness and that greatness itself.
Jean Baudrillard
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Man has lost the basic skill of the ape, the ability to scratch its back. Which gave it extraordinary independence, and the liberty to associate for reasons other than the need for mutual back-scratching.
Jean Baudrillard