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[Lyndon Baines Johnson ] technique in negotiation would be that he'd lean into you and take away your personal space, it didn't matter your party affiliation when he was trying to convince you of something.

Jay Roach

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Jay Roach
Age: 67
Born: 1957
Born: June 14
Cinematographer
Film Director
Film Producer
Screenwriter
Albuquerque
New Mexico
Mathew Jay Roach
Space
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Away
Negotiation
Didn
Lean
Matter
Johnson
Take
Convince
Trying
Technique
Something
Personal
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More quotes by Jay Roach

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I'm developing some other things in other genres, including one dramatic piece. So, anything's possible.
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I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there.
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You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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Dalton Trumbo actually was [ a hypocrite], because he liked his wealth, which was against the grain of being a Communist. I put title cards at the head of the film that explains the context.
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It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say.
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I was very interested in politics in college and was heading to be a lawyer. I have a degree in economics and I was interested in it. I hadn't really gotten super serious about it and I'd done a lot of student politics in high school. I really think it would be interesting and fun and challenging to go into politics.
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When Dalton Trumbo and his friends joined the Communist Party it was 1943, and Russia was our ally in World War II. This was connected to a very popular movement of artists and intellectuals at that time towards anti fascism, and an alliance with the union movement.
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The success of the second 'Austin Powers' caught us by surprise a little bit. We had decided not to do even a second one, unless the audience wanted it and we could do something better.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
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I'm not one of these directors, so far, that wants to have a whole separate director's cut of these things. So far they've turned out to be kind of the length that they wanted to be.
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When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.
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There were two writer's unions in those days[ during World War II ] , the studio-friendly guild called the Screen Playwrights, and the more activist Writer's Guild. The studios were fairly upset that their group wasn't effective, and they sought to punish the other union by labeling them as Communists.
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One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.
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That's why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
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I've recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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I do understand the free market, having my economics degree, and if someone on the right had some good ideas, I'm not so dogmatic that I wouldn't listen to them.
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I just always look for stuff that has a character-driven thing.
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I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
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The first thing we noticed was how flamboyant [Dalton] Trumbo was in real life.
Jay Roach