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The first thing we noticed was how flamboyant [Dalton] Trumbo was in real life.

Jay Roach

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Jay Roach
Age: 67
Born: 1957
Born: June 14
Cinematographer
Film Director
Film Producer
Screenwriter
Albuquerque
New Mexico
Mathew Jay Roach
Flamboyant
Noticed
Firsts
First
Real
Thing
Life
Dalton

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When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.
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We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
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Even modern wars are fought like revenge tales from some petty grievance.
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I like to shoot a lot of choices. I like a lot of stuff - and so I push to go faster, to shrink the time between the takes so that the takes are what you're spending all your time on.
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As long as we, again, kind of keep earning the sequels with material and I'm confident Mike can, I'm in. You know I always want to do those. But I also want to keep going in some of the direction as Meet the Parents has.
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I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
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I do understand the free market, having my economics degree, and if someone on the right had some good ideas, I'm not so dogmatic that I wouldn't listen to them.
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John Wayne was just a very conservative guy, who had not served in World War II, and he was defensive about that - he almost overcompensated his anti-Communism because of that reason.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say.
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In his life, [Dalton] Trumbo uses wit and comedy to fight these very high-stakes battles.
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Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
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I was very interested in politics in college and was heading to be a lawyer. I have a degree in economics and I was interested in it. I hadn't really gotten super serious about it and I'd done a lot of student politics in high school. I really think it would be interesting and fun and challenging to go into politics.
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I've recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.
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You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.
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I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there.
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Hedda's Hopper attitude was 'once a Commie, always a Commie.'
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I hope I can now use my ability to communicate, without being too precious or serious. It's good to have some levity, even as you're facing some really dark times, to mix it up a bit.
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I think we'll all keep pushing each other, which is a great thing.
Jay Roach