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One of the series of decisions that the great screenwriter John McNamara made was about who to depict. [Ronald] Reagan had a role in HUAC, he was a friendly witness, but never went over-the-top about it.

Jay Roach

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Jay Roach
Age: 67
Born: 1957
Born: June 14
Cinematographer
Film Director
Film Producer
Screenwriter
Albuquerque
New Mexico
Mathew Jay Roach
Made
John
Never
Decisions
Series
Role
Depict
Roles
Ronald
Went
Reagan
Decision
Friendly
Great
Witness

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I've recently enjoyed the Paul Thomas Anderson commentaries and the David Fincher commentaries.
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I was very interested in politics in college and was heading to be a lawyer. I have a degree in economics and I was interested in it. I hadn't really gotten super serious about it and I'd done a lot of student politics in high school. I really think it would be interesting and fun and challenging to go into politics.
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I'm not one of these directors, so far, that wants to have a whole separate director's cut of these things. So far they've turned out to be kind of the length that they wanted to be.
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I am partisan to some extent on the Democratic side, but I consider myself more of an independent.
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Bryan [Cranston] created something completely unique, that was earned by its authenticity. That's what gave us the license to push it a bit.
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From our perspective now, there is a not a huge understanding about the totalitarian Communism that Soviet Russia practiced during the 1950s - it was an atrocious system.
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Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.
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That's why we had Louis C.K. portray the harder line Communist, to accuse [Dalton] Trumbo of being a hypocrite.
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It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say.
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I do understand the free market, having my economics degree, and if someone on the right had some good ideas, I'm not so dogmatic that I wouldn't listen to them.
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You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.
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There's people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don't.
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I do love DVD and I've always taken them seriously. You know, on the Austin things, we really put a ton of work into them because there's so much design involved. And in this one, we thought a lot about it and what could go in.
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I like to shoot a lot of choices. I like a lot of stuff - and so I push to go faster, to shrink the time between the takes so that the takes are what you're spending all your time on.
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I think we'll all keep pushing each other, which is a great thing.
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People are willing to throw our civilization under the bus to discredit the existing system, without any proposed solution to the problems that they're willing to pointing at.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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I'm pretty opinionated sometimes although my political views change all the time, too. So I'm not very zealous.
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I'm developing some other things in other genres, including one dramatic piece. So, anything's possible.
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When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
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