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Hedda's Hopper attitude was 'once a Commie, always a Commie.'

Jay Roach

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Jay Roach
Age: 67
Born: 1957
Born: June 14
Cinematographer
Film Director
Film Producer
Screenwriter
Albuquerque
New Mexico
Mathew Jay Roach
Hopper
Attitude
Always

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People are willing to throw our civilization under the bus to discredit the existing system, without any proposed solution to the problems that they're willing to pointing at.
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I'm pretty opinionated sometimes although my political views change all the time, too. So I'm not very zealous.
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I'm developing some other things in other genres, including one dramatic piece. So, anything's possible.
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When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
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[Lyndon Baines Johnson ] technique in negotiation would be that he'd lean into you and take away your personal space, it didn't matter your party affiliation when he was trying to convince you of something.
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I am partisan to some extent on the Democratic side, but I consider myself more of an independent.
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Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.
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There were two writer's unions in those days[ during World War II ] , the studio-friendly guild called the Screen Playwrights, and the more activist Writer's Guild. The studios were fairly upset that their group wasn't effective, and they sought to punish the other union by labeling them as Communists.
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You could get in rehearsals, pre-production, anything that would actually contribute to the understanding of how a film gets made. I actually find those things increase people's interest in a movie and like that better than worrying about showing the tricks behind the curtain.
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I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
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But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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On the other track I got to talk with Jon Poll, my editor, and we go into more detail about the decisions we made in both the production and the post-production. So I hope the combination becomes something worth collecting.
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Bryan [Cranston] created something completely unique, that was earned by its authenticity. That's what gave us the license to push it a bit.
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I think we'll all keep pushing each other, which is a great thing.
Jay Roach
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You can make an idea spread for good but you can also make an idea spread for bad and the power to make an idea spread, memetics, you know which now people talk about memes.
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I always had a respect and an admiration for people who got into politics. I certainly have always been interested in law and political science.
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There's people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don't.
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I hope we're all kind of influencing each other now to keep the quality up on those things. They seem to be getting better and better and better as there's not only sort of a film geek audience, there's also a general interest in the overall film consuming population.
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I do understand the free market, having my economics degree, and if someone on the right had some good ideas, I'm not so dogmatic that I wouldn't listen to them.
Jay Roach