Quote

Dalton Trumbo actually was [ a hypocrite], because he liked his wealth, which was against the grain of being a Communist. I put title cards at the head of the film that explains the context.

Jay Roach

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Jay Roach
Age: 67
Born: 1957
Born: June 14
Cinematographer
Film Director
Film Producer
Screenwriter
Albuquerque
New Mexico
Mathew Jay Roach
Actually
Context
Film
Grain
Communist
Titles
Cards
Dalton
Liked
Explains
Wealth
Hypocrite
Head
Title

More quotes by Jay Roach

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But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing.
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I learn so much from watching films like that with commentary and then when you get to hear another filmmaker talk about their films it's a really great experience.
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The first thing we noticed was how flamboyant [Dalton] Trumbo was in real life.
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It was about the compelling need to make countries get along to prevent war, in contrast with the totally petty and selfish bullshit that drives the individuals who are supposedly in charge of these countries. It's hard to believe that these self-centered people have nuclear weapons that they can fire at any moment.
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It seems like you can't actually have really bad hair or be bald and run for President of the United States.
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There's people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don't.
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Hedda's Hopper attitude was 'once a Commie, always a Commie.'
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I was very interested in politics in college and was heading to be a lawyer. I have a degree in economics and I was interested in it. I hadn't really gotten super serious about it and I'd done a lot of student politics in high school. I really think it would be interesting and fun and challenging to go into politics.
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For Bryan [Cranston ] to go back in time and become this larger-than-life and somewhat theatrical guy, who performed his ideas and rhetoric in public in a melodic and flashy way, was a bit of a risk.
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Dalton Trumbo was constantly criticizing the membership [in the Communist Party], and was opposite to being a loyalist.
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[ Dalton Trumbo] always said he fought so many fights, all seemingly different, but all about the concepts of fairness and justice.
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From our perspective now, there is a not a huge understanding about the totalitarian Communism that Soviet Russia practiced during the 1950s - it was an atrocious system.
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Even modern wars are fought like revenge tales from some petty grievance.
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I just always look for stuff that has a character-driven thing.
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[Lyndon Baines Johnson ] technique in negotiation would be that he'd lean into you and take away your personal space, it didn't matter your party affiliation when he was trying to convince you of something.
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Hedda Hopper was a better direct opponent to [Dalton] Trumbo. We wanted to use Trumbo's battles to represent the larger battles, so the audience could understand the personal sacrifice he went through and the personal damage to his family. The choices were about who were the best representations of his antagonists, which is why we chose as we did.
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When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.
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I think we'll all keep pushing each other, which is a great thing.
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I like to shoot a lot of choices. I like a lot of stuff - and so I push to go faster, to shrink the time between the takes so that the takes are what you're spending all your time on.
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John Wayne was just a very conservative guy, who had not served in World War II, and he was defensive about that - he almost overcompensated his anti-Communism because of that reason.
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