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First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical it might rub off on others. Fourth, don't give up.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
First
Otherwise
Giving
Second
Trumps
Talent
Fourth
Trump
Ethical
Others
Perseverance
Give
Bother
Might
Third
Firsts
Thirds
More quotes by Jay Maisel
Remember that most people (those who are not photographers) don't even see the things that you missed. Many don't even look. Ergo, you are way ahead of the game.
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Every picture should have a place you can go, a home, a climax.
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If you don't have a camera, the best thing you can do is describe how great it looked.
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Money and fame that photography can bring you are wonderful, but nothing can compare to the joy of seeing something new.
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The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
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Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
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Be aware of every square millimeter of your frame.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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Failing is not a problem. Not trying is a problem.
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There are rules about perception, but not about photography.
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You always end up with too many pictures to edit and too few that you feel 'got it'.
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.
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You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
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You have to learn not only from your failures. You must also learn from your successes.
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The pictures are everywhere. If you're open, they will find you.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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You must be open to what otherwise may seem to be a detriment to your 'plans'.
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One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
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