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If you're not shooting in the right direction, it doesn't matter how well you're shooting.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Direction
Photography
Doesn
Wells
Well
Matter
Right
Shooting
More quotes by Jay Maisel
I'm a New Yorker. I don't believe in air unless I can see it.
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I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.
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I love when pictures ask questions or make others ask questions.
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Never say you're going back - SHOOT IT NOW!
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.
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You have to learn not only from your failures. You must also learn from your successes.
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You must be open to what otherwise may seem to be a detriment to your 'plans'.
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Money and fame that photography can bring you are wonderful, but nothing can compare to the joy of seeing something new.
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When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.
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If you can capture the element of surprise, you're way ahead of the game.
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One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
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It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.
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