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You must be open to what otherwise may seem to be a detriment to your 'plans'.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Plans
Seem
Open
Seems
May
Detriment
Must
Photographer
Otherwise
Photography
More quotes by Jay Maisel
... there's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.
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Failing is not a problem. Not trying is a problem.
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Try to go out empty and let your images fill you up.
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All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.
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You have to learn not only from your failures. You must also learn from your successes.
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You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.
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You can't just turn on when something happens, you have to be turned on all the time. Then things happen.
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There are rules about perception, but not about photography.
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I want to go out as unprepared as possible so I can get filled up with what the world has to offer.
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One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
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Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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You always end up with too many pictures to edit and too few that you feel 'got it'.
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You cannot accurately remember color.
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It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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