Quote

When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.

Jay Maisel

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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Make
Choice
Affirmation
Numbers
Statement
Choices
Shoot
Opportunity
Statements
Another
Photographer
Two
Direction
Firsts
Photography
Edit
First
Number
Edits

More quotes by Jay Maisel

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If you can capture the element of surprise, you're way ahead of the game.
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Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
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The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.
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Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it changes as it becomes larger in size.
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Never say you're going back - SHOOT IT NOW!
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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Be aware of every square millimeter of your frame.
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Gesture is not always action.
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I want to go out as unprepared as possible so I can get filled up with what the world has to offer.
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Try to go out empty and let your images fill you up.
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One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
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The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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Failing is not a problem. Not trying is a problem.
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Keep your mind open. You may very well learn something new about yourself and your pictures.
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Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
Jay Maisel