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When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.

Jay Maisel

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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Another
Photographer
Two
Direction
Photography
Edit
Firsts
Number
Edits
First
Choice
Affirmation
Make
Numbers
Statement
Choices
Shoot
Opportunity
Statements

More quotes by Jay Maisel

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The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.
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Money and fame that photography can bring you are wonderful, but nothing can compare to the joy of seeing something new.
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
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You always end up with too many pictures to edit and too few that you feel 'got it'.
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The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
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There is no one solution to all problems. It's the problem itself that can lead to the solution.
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All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.
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Failing is not a problem. Not trying is a problem.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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... there's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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I don't see light as something that falls, but as a positive force.
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If you want to make more interesting pictures, become a more interesting person.
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Remember that most people (those who are not photographers) don't even see the things that you missed. Many don't even look. Ergo, you are way ahead of the game.
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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
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As people, we love pattern. But interrupted pattern is more interesting.
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Every picture should have a place you can go, a home, a climax.
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If you can capture the element of surprise, you're way ahead of the game.
Jay Maisel