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When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Shoot
Choices
Statements
Opportunity
Another
Photographer
Two
Direction
Edit
Firsts
Photography
Edits
First
Number
Affirmation
Make
Choice
Statement
Numbers
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Try to go out empty and let your images fill you up.
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If you can capture the element of surprise, you're way ahead of the game.
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When we are given gifts, we must be quick and able to accept them.
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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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Forget what it was. Look at what it is.
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One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
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You can't just turn on when something happens, you have to be turned on all the time. Then things happen.
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First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical it might rub off on others. Fourth, don't give up.
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The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.
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Failing is not a problem. Not trying is a problem.
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Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.
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I don't see light as something that falls, but as a positive force.
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Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
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As people, we love pattern. But interrupted pattern is more interesting.
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You cannot accurately remember color.
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Every picture should have a place you can go, a home, a climax.
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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
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Gesture is not always action.
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Keep your mind open. You may very well learn something new about yourself and your pictures.
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Each picture you take has power as long as it brings experience to the person who’s looking at it.
Jay Maisel
