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Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Subjects
Photographer
Control
Depth
Since
Lack
Mustn
Chance
Field
Horizontal
Must
Aware
Vertical
Important
Subject
Default
Photography
Background
Fields
Backgrounds
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You always end up with too many pictures to edit and too few that you feel 'got it'.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical it might rub off on others. Fourth, don't give up.
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Remember that most people (those who are not photographers) don't even see the things that you missed. Many don't even look. Ergo, you are way ahead of the game.
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The pictures are everywhere. If you're open, they will find you.
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Every picture should have a place you can go, a home, a climax.
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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
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Keep your mind open. You may very well learn something new about yourself and your pictures.
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Each picture you take has power as long as it brings experience to the person who’s looking at it.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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The best camera is the one you have with you.
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The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
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You have to learn not only from your failures. You must also learn from your successes.
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There is no one solution to all problems. It's the problem itself that can lead to the solution.
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You cannot accurately remember color.
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You can't just turn on when something happens, you have to be turned on all the time. Then things happen.
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If you can capture the element of surprise, you're way ahead of the game.
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All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.
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I'm a New Yorker. I don't believe in air unless I can see it.
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