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Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Control
Depth
Since
Lack
Mustn
Chance
Field
Horizontal
Must
Aware
Vertical
Important
Subject
Default
Photography
Background
Fields
Backgrounds
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Photographer
More quotes by Jay Maisel
Remember that most people (those who are not photographers) don't even see the things that you missed. Many don't even look. Ergo, you are way ahead of the game.
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It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.
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... there's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.
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Try to go out empty and let your images fill you up.
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Keep your mind open. You may very well learn something new about yourself and your pictures.
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Be aware of every square millimeter of your frame.
Jay Maisel
When we are given gifts, we must be quick and able to accept them.
Jay Maisel
Some have said that if you take a great picture in color and take away the color, you'll have a great black-and-white picture. But if you're shooting something about color and you take away the color, you'll have nothing.
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Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it changes as it becomes larger in size.
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Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
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All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.
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Never say you're going back - SHOOT IT NOW!
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You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
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If you're not shooting in the right direction, it doesn't matter how well you're shooting.
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The pictures are everywhere. If you're open, they will find you.
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As people, we love pattern. But interrupted pattern is more interesting.
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There are rules about perception, but not about photography.
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You have to learn not only from your failures. You must also learn from your successes.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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