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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Use
Difficult
Light
Spectacular
Photographer
Photography
More quotes by Jay Maisel
I don't see light as something that falls, but as a positive force.
Jay Maisel
... there's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.
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The best camera is the one you have with you.
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The awareness of the quality of space in out photos is akin to our awareness of the very air in our photos, the atmosphere that pervades every square inch of our image and yet is often invisible to the photographer.
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You must be open to what otherwise may seem to be a detriment to your 'plans'.
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Forget what it was. Look at what it is.
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When we are given gifts, we must be quick and able to accept them.
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Keep your mind open. You may very well learn something new about yourself and your pictures.
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You sort of have to be always aware, even when you're not thinking of shooting. That's when the best stuff happens.
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Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.
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If you want to make more interesting pictures, become a more interesting person.
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If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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You always end up with too many pictures to edit and too few that you feel 'got it'.
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Gesture is not always action.
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Try to go out empty and let your images fill you up.
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Every picture should have a place you can go, a home, a climax.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
Jay Maisel