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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Spectacular
Photographer
Photography
Use
Difficult
Light
More quotes by Jay Maisel
All these factors are only valuable if you're curious. But in any case, the more knowledge you have, the more things are open and available to you.
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Try to go out empty and let your images fill you up.
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If you can capture the element of surprise, you're way ahead of the game.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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When you shoot, that is opportunity number one to make a statement. When you edit, you have opportunity number two to make your statement. It could be an affirmation of your first choice or could go off in another direction.
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When we are given gifts, we must be quick and able to accept them.
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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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It's not just when you shoot, or what you shot, or where you shoot, it's the combination of the three.
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You cannot accurately remember color.
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Failing is not a problem. Not trying is a problem.
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If you are out there shooting, things will happen for you. If you're not out there, you'll only hear about it.
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The best camera is the one you have with you.
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You can't just turn on when something happens, you have to be turned on all the time. Then things happen.
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You always end up with too many pictures to edit and too few that you feel 'got it'.
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If you're not shooting in the right direction, it doesn't matter how well you're shooting.
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The pictures are everywhere. If you're open, they will find you.
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You must be open to what otherwise may seem to be a detriment to your 'plans'.
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There are rules about perception, but not about photography.
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Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
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