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There is no bad light. There is spectacular light and difficult light. It's up to you to use the light you have.
Jay Maisel
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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Spectacular
Photographer
Photography
Use
Difficult
Light
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Failing is not a problem. Not trying is a problem.
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Be aware of every square millimeter of your frame.
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I take pictures, and they are there for the taking. I'll tell you a quote that I have always thought about. Arthur Miller said, I try to create the poem from the evidence.
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One color alone means nothing. I acts as in a vacuum, with no other colors to relate to. It is only when colors relate to other colors that the fun begins.
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If you can capture the element of surprise, you're way ahead of the game.
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The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
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We don't experience light, color, and gesture in a vacuum. We experience it in contexts.
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Since the background is as important as the subject, you mustn't let it default by chance. You must control not only vertical and horizontal, you must be aware of the depth of field (or lack of it) that you want in the background.
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... there's one of the great lies of all times, that computers save time. They don't. They're time suckers. So, I'm trying not to get involved in the Photoshop.
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There is no one solution to all problems. It's the problem itself that can lead to the solution.
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When we are given gifts, we must be quick and able to accept them.
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Never say you're going back - SHOOT IT NOW!
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Every picture should have a place you can go, a home, a climax.
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There are rules about perception, but not about photography.
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There really isn't anything that you could call 'bad' color. It all has to do with the amount of color you use and in what context it appears.
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As people, we love pattern. But interrupted pattern is more interesting.
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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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I don't see light as something that falls, but as a positive force.
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Try to go out empty and let your images fill you up.
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The best camera is the one you have with you.
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