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I don't see light as something that falls, but as a positive force.

Jay Maisel

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Jay Maisel
Age: 93
Born: 1931
Born: January 18
Photographer
Brooklyn
New York
Something
Falls
Photographer
Photography
Positive
Force
Fall
Light

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You have to have a lot of 'overage' so that your failures aren't the only thing you come home with. You've got to have a lot of things that were magnificent failures, but you want some magnificent successes.
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Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content.
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Be aware of every square millimeter of your frame.
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Try to go out empty and let your images fill you up.
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I'm a New Yorker. I don't believe in air unless I can see it.
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Each picture you take has power as long as it brings experience to the person who’s looking at it.
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Had I not been told to look, I would have quite, ignorant of what was really there, because I had 'made plans' and was wearing visual and emotional blinders that limited my perceptions and my vision.
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Color is seductive. It changes as it interacts with other colors, it changes because of the light falling upon it, and it changes as it becomes larger in size.
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Every picture should have a place you can go, a home, a climax.
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You must be open to what otherwise may seem to be a detriment to your 'plans'.
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If you can capture the element of surprise, you're way ahead of the game.
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Sometimes as you work, you find that you are learning things about your own perceptions and motivations that are way below you consciousness. If you get lucky, you recognize what you are doing, but all too often we don't find the connection between our work and our own motivations.
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First, perseverance trumps talent. Second, do what you want to do, otherwise why bother? Third, be ethical it might rub off on others. Fourth, don't give up.
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Color really doesn't have interaction if it's full of colors. It's the interaction or relationship among or between colors that makes a color image. This usually happens with a few colors, not a glut of them.
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The drama of light exists not only in what is in the light, but also in what is left dark. If the light is everywhere, the drama is gone.
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Money and fame that photography can bring you are wonderful, but nothing can compare to the joy of seeing something new.
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