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Anyone who knows me knows that I don't know anything about politics. Every time I go to Washington, I feel like I'm in Legally Blonde.

Jason Wu

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Jason Wu
Age: 42
Born: 1982
Born: September 27
Fashion Designer
Yunlin
Feel
Feels
Every
Legally
Time
Blonde
Like
Washington
Politics
Anyone
Anything

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My mom used to take me to antique shows, which I hated because everything was so dusty and old and there were all these weird ladies selling their antiques. We call them eclectic now. But it was really amazing that I was exposed to that when I was younger. Now that I have my own taste, I understand it more.
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We all want to be a little glamorous, a little playful and a little mischievous at times.
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I love the idea of working with women because I always feel like a man designing womenswear needs women around him to really have a sense of what they're doing.
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What I was interested in wasn't popular and young, but I never really deviated from doing it. I just decided that I was going to go full force into exactly what I wanted. I think there's a certain comfort that comes with age and experience, and when I got that, I think my work got better.
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I need to feel like I'm part of something. I need to feel part of the world when I go to sleep.
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I woke up one day and I was like, I don't have anything to save for myself for the future. That's when I started archiving things. I take four or five things that are really key to each collection, and I restore them or, in some cases, remake parts of them, and archive them.
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Buy things you truly love, things that are special, but not a lot of them. It’s about value, not quantity.
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It's nice to be able to be whoever you want to be. I moved to New York for that reason. I think I am a very good example of how you really can do whatever you want to do without having any kind of prerequisite experience of any of kind of connection. None of my family members came from this world.
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I didn't understand anything about fashion until I moved to Canada when I was 9. That's when I learned English and was exposed to fashion magazines like Harper’s Bazaar and Vogue.
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When I was 12 or 13 I already knew that I was gay. And then my interests were not conventional. So I was very different, in every sense of the word. And in an all-boys school, that's tough.
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I don't know if I would want to come back as anything but me. I feel really satisfied. I don't really want to be anyone else. I just feel like I've gotten everything I signed up for as me. I'm happy as me.
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For a while, I just thought that I wanted to be an illustrator because that's all I wanted to do. I also did some sculpting. It was always very artsy and very feminine, everything that I did.
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This is the hardest thing I've ever done, being in fashion business, because that's what it is at the end of the day, a business, and you have to make sure it works.
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Designers have always shown outlandish and exuberant clothes, but that hasnt always translated to the streets.
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I love the romance of Paris. I love Angelina [tearoom and pastry shop]. I always get a Mont-blanc [pastry] there.
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I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.
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You're always in the mode of creating the next season. It's so fast, and in two months, the collection you just did is already old, and it's always next, next, next.
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In designing for the first lady, I tried to sort of be in her shoes, but I didn't really look at her as an important political figure. I looked at her as a woman who would like to wear a beautiful dress to an important gala.
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I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, were always playing a form of dress-up - its just a grown-up, much chicer version of it. Its nice to be able to be whoever you want to be.
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I am an Asian designer. I was born in Taiwan. That is who I am. But I am a designer, like any designer of any race. Growing up in the '80s in Taiwan, the arts were not considered a career.
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