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Designers have always shown outlandish and exuberant clothes, but that hasnt always translated to the streets.

Jason Wu

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Jason Wu
Age: 42
Born: 1982
Born: September 27
Fashion Designer
Yunlin
Outlandish
Translated
Designers
Shown
Designer
Clothes
Streets
Always
Exuberant

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I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.
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It's nice to be able to be whoever you want to be. I moved to New York for that reason. I think I am a very good example of how you really can do whatever you want to do without having any kind of prerequisite experience of any of kind of connection. None of my family members came from this world.
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Buy things you truly love, things that are special, but not a lot of them. It’s about value, not quantity.
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I love the romance of Paris. I love Angelina [tearoom and pastry shop]. I always get a Mont-blanc [pastry] there.
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We all want to be a little glamorous, a little playful and a little mischievous at times.
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This is the hardest thing I've ever done, being in fashion business, because that's what it is at the end of the day, a business, and you have to make sure it works.
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In American culture you leave home at 18. In the Asian culture, your parents don't really want you to leave home. So my parents just thought I was going to be one of those kids. I was like, I'm never going to make a living at whatever I do. I just liked pretty things.
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I love a little bit of glamour and I love tall girls.
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I hope I am the antithesis of disposable fashion.
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What I was interested in wasn't popular and young, but I never really deviated from doing it. I just decided that I was going to go full force into exactly what I wanted. I think there's a certain comfort that comes with age and experience, and when I got that, I think my work got better.
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I love the idea of working with women because I always feel like a man designing womenswear needs women around him to really have a sense of what they're doing.
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The way my mom dressed was one of my earliest inspirations, in those '80s suits with shoulder pads and things like that. For years, I ran away from that style. But now, all I want to do is shoulder pads and nipped-in waists and padded hips and peplums and poufed dresses.
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I had a hard time in middle school. I was never really quite me until I was 16 or 17, and things like bullying didn't matter anymore.
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I didn't understand anything about fashion until I moved to Canada when I was 9. That's when I learned English and was exposed to fashion magazines like Harper’s Bazaar and Vogue.
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I woke up one day and I was like, I don't have anything to save for myself for the future. That's when I started archiving things. I take four or five things that are really key to each collection, and I restore them or, in some cases, remake parts of them, and archive them.
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The polishedness and the sophistication were what I was interested in. I mean, give me a polka dot, a floral print, a pleated dress, a big fur coat, that was always my language, and it wasn't very in when I was starting out, so I had a difficult time in the beginning.
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When I was growing up, you sort of did the unthinkable. You did something that has never really been replicated.
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The worst thing is to be a designer and create work that isn't honest. You have to be honest. Otherwise, you'll always be a reaction to what other people do and you'll always be one step behind.
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You're always in the mode of creating the next season. It's so fast, and in two months, the collection you just did is already old, and it's always next, next, next.
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