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I have a strange fascination with the Midwest. I'm waiting to find out that my parents are actually from the Midwest. I grew up in Beverly Hills, up the street, and I just feel comfortable there. I've shot in Minneapolis, in Detroit, in St. Louis, in Omaha - they would say they're the Plains, not the Midwest - and I love it.

Jason Reitman

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Jason Reitman
Age: 47
Born: 1977
Born: October 19
Actor
Director
Film Actor
Film Director
Film Producer
Screenwriter
Montreal
Quebec
Would
Grew
Fascination
Love
Strange
Hills
Minneapolis
Parent
Shot
Omaha
Waiting
Shots
Beverly
Actually
Street
Plains
Find
Streets
Midwest
Feel
Comfortable
Louis
Feels
Parents
Detroit

More quotes by Jason Reitman

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I'm too big a fan of rhythm and editing. I'd much rather my editing be brave than my shooting.
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With each one of my films, I'm exploring one of my own issues and I try to expose myself a little in the film.
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People want to know if I have a moral standpoint that they should be picking up on, and the truth is, I don't. I don't want people to think that I'm trying to tell them to feel a certain way. I think that's cheap filmmaking.
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I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
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Too many people believe in that [Alfred] Hitchcock thing that he only shot exactly the shots he needed for the dialogue he needed and I think that's bullshit, even if that was true for that singular filmmaker.
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Everyone wants to be loved everyone wants to know where they're going in life everyone wants to have a sense of direction and feel the next day is going to be better than today. We just all deal with it in a different way.
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What I do feel is that 'Up in the Air' is the most indicative film of 2009. It is the portrait of 2009.
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Filmmaking is finding a piece of granite and you start to chip away and then you have the shape of a head, the shape of the arm, you can see the shape of the face and the face starts to gather character. You have to find it.
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I've always had an underdog perspective.
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When it comes to casting, I've been so lucky. I've worked with unbelievable actors who make me look better than I am and take the written word and make it honest.
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I want my movies to be audience experiences. As much as I like Michael Haneke, I'm not going to make a Haneke film. That's just not in my DNA.
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I'd done table reads for my own screenplays, and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater, where you get to see plays produced by different directors and different casts, but there's really nothing like that for movie scripts.
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'Juno' really changed things for me and I get a lot of screenplays come in now, but I like to self-generate and I like to kind of pursue my own ideas. And I think the more personal the better.
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'Election' is a movie I'd give a leg to cross the director's name out and put mine in.
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I'm equally guilty of using technology - I Twitter, I text people, I chat. But I think there's something strangely insidious about it that it makes us think we're closer when in fact we're not seeing each other, we're not connecting.
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I used to have a group called Bad-Movie Saturday. Every Saturday, six of us would go see the worst movie that came out each weekend. It'd be noon in Burbank. It was just a running commentary. All executives - we would each talk through the movie and make jokes.
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From the onset of the 'Live-Read' series, we wanted to hit all the major writers and Woody Allen is simply one of the greatest screenwriters of all time. He has ability to match pathos and comedy and drama and then turn it all on a dime. If you're going to make a series based on dialogue, you can't find much better than Woody Allen.
Jason Reitman
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Growing up the son of a director has made me very aware of the various turns that a directing career can take. Sometimes your films turn out exactly as you want. Sometimes they don't. I spent a lot of my childhood on sets. I think as a joke, my father gave me a line of dialogue in each of his films during the worst moments of my puberty.
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When you're young, you want to make every kind of film: musicals, Westerns, horror. Slowly you begin to hear your own voice. I hope people receive what I do as small, personal films that are somewhat contrarian about their main characters.
Jason Reitman
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And as a director, you make 1,000 decisions a day, mostly binary decisions: yes or no, this one or that one, the red one or the blue one, faster or slower. And it's the culmination of those decisions that define the tone of the film and whether or not it moves people.
Jason Reitman