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Remember it all, every insult, every tear. Tattoo it on the inside of your mind. In life, knowledge of poisons is essential. I've told you, nobody becomes an artist unless they have to.
Janet Fitch
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Janet Fitch
Age: 69
Born: 1955
Born: November 9
Author
Journalist
Novelist
University Teacher
Writer
LA
California
Janet Elizabeth Fitch
Life
Inside
Tear
Becomes
Insult
Told
Poison
Knowledge
Essential
Artist
Essentials
Remember
Tears
Oleanders
Every
Unless
Poisons
Mind
Nobody
Tattoo
More quotes by Janet Fitch
When you're a little kid, you are small, your life is small - and you're terrifically aware of that. But when you read, you can ride Arabian horses across the desert, you can be a dogsledder.
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She kissed me on the mouth. Her mouth tasted like iced coffee and cardamom, and I was overwhelmed by the taste, her hot skin and the smell of unwashed hair. I was confused, but not unwilling. I would have let her do anything to me.
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Love could never bloom in a concrete block room.
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I almost said, you're not broken, you're just going through something. But i couldn't. She knew. There was something terribly wrong with her, all the way inside. She was like a big diamond with a dead spot in the middle. I was supposed to breathe life into that dead spot, but it hadn't worked.
Janet Fitch
But I knew one more thing. That people w ho denied who they were or where they had been were in the greatest danger.
Janet Fitch
I wondered where he was now whether I would ever hear him again. Whether someone would love him, someday show him what beauty mean't.
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When I read, I want to be fully transported to another place. I want to feel things, smell things.
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Beauty was empty as a gourd, vain as a parakeet. But it had power. It smelled of musk and oranges and made you close your eyes in a prayer.
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Who was I, really? I was the sole occupant of my mother's totalitarian state, my own personal history rewritten to fit the story she was telling that day. There were so many missing pieces. I was starting to find some of them, working my way upriver, collecting a secret cache of broken memories in a shoebox.
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To make films, you have to have boundless energy you have to work and play with others really, really well, and I'm really a more contemplative kind of person. I like to sit at home and think, a lot.
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I closed my eyes to watch tiny dancers like jeweled birds cross the dark screen of my eyelids.
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That was what she really wanted. To forget so thoroughly she'd never have another memory again, the bitter so bitter you gave up the sweet.
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What happened to a dream without a dreamer?
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It's all I ever really wanted, that revelation. The possibility of fixed stars.
Janet Fitch
I imagined my soul taking in these words like silicated water in the Petrified Forest, turning my wood to patterned agate. I liked it when my mother shaped me this way. I thought clay must feel happy in the good potter's hand.
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We strive for beauty and balance, the sensual over the sentimental.
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I'm incredibly restless. I read a lot of poetry. I also find myself reading the first 20 pages of everything, looking for something. And you know what? I'm usually looking for the book I'm writing. And it's not out there!
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I've been depressed many times in my life. But under it all I'm an optimist.
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The sound of her laughter was sticky as sap, the smell of night-blooming jasmine soft as a milk bath.
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Do you ever want to go home?' I asked Paul. He brushed an ash from my face. 'It's the century of the displaced person,' he said. 'You can never go home.
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