Share
×
Inspirational Quotes
Authors
Professions
Topics
Tags
Quote
I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield
Share
Change background
T
T
T
Change font
Original
TAGS & TOPICS
Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Music
Need
Outward
Feels
Distracted
Needs
Poems
Mind
Leap
People
Turned
Listening
Silence
More quotes by Jane Hirshfield
In the dream life you don't deliberately set out to dream about a house night after night the dream itself insists you look at whatever is trying to come into visibility.
Jane Hirshfield
Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Jane Hirshfield
Wrong solitude vinegars the soul, right solitude oils it.
Jane Hirshfield
How silently the heart pivots on its hinge.
Jane Hirshfield
How fine is the mesh of death. You can almost see through it.
Jane Hirshfield
Zen is less the study of doctrine than a set of tools for discovering what can be known when the world is looked at with open eyes.
Jane Hirshfield
I travel as much as I do. It isn't the life I expected. I don't know what dust of pollen will come back with me from these travels.But I must trust that I will not treat frivolously the glimpses I've been given into other places and others' lives.
Jane Hirshfield
Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
Jane Hirshfield
Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
Jane Hirshfield
Everything has two endings- a horse, a piece of string, a phone call. Before a life, air. And after. As silence is not silence, but a limit of hearing.
Jane Hirshfield
A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Jane Hirshfield
Zen taught me how to pay attention, how to delve, how to question and enter, how to stay with -- or at least want to try to stay with -- whatever is going on.
Jane Hirshfield
A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves.
Jane Hirshfield
It's one of the saving graces in a life, to be able to perceive one's own and others' absurdity, to notice our shared human frailties and be able, at least some of the time, to smile rather than grimace. Like most people, I must have started out with a comic worldview in my cupboard.
Jane Hirshfield
The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
Jane Hirshfield
In my poems though, as you say, the comic arrived fairly late. This doubtless has something to do with growing older. A person who's seen a bit of the world can't help but notice how foolish is the self-centeredness we bring to our tiny slice of existence.
Jane Hirshfield
as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Jane Hirshfield
The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
At some point I realized that you don't get a full human life if you try to cut off one end of it, that you need to agree to the entire experience, to the full spectrum of what happens.
Jane Hirshfield
The moonlight builds its cold chapel again out of piecemeal darkness.
Jane Hirshfield