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A poem can use anything to talk about anything.

Jane Hirshfield

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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Poem
Talk
Use
Anything

More quotes by Jane Hirshfield

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You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
Jane Hirshfield
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The pressed oil of words can blaze up into music, into image, into the heart and mind's knowledge. The lit and shadowed places within us can be warmed.
Jane Hirshfield
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Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
Jane Hirshfield
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Self carries grief as a pack mule carries the side bags, being careful between the trees to leave extra room.
Jane Hirshfield
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You may do this, I tell you, it is permitted. Begin again the story of your life.
Jane Hirshfield
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A person is full of sorrow the way a burlap sack is full of stones or sand.
Jane Hirshfield
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And when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud how the black cord makes of them a single fabric that nothing can tear or mend.
Jane Hirshfield
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Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
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The nourishment of Cezanne's awkward apples is in the tenderness and alertness they awaken inside us.
Jane Hirshfield
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History, mythology, and folktales are filled with stories of people punished for saying the truth. Only the Fool, exempt from society's rules, is allowed to speak with complete freedom.
Jane Hirshfield
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How fine is the mesh of death. You can almost see through it.
Jane Hirshfield
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Zen is less the study of doctrine than a set of tools for discovering what can be known when the world is looked at with open eyes.
Jane Hirshfield
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I want to understand the piers of language and music and comprehension that can hold up a building even when what the building houses is an earthquake. This thinking must surely come into the poems I write, but more by osmosis than will.
Jane Hirshfield
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Life is short. But desire, desire is long.
Jane Hirshfield
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Everything has two endings- a horse, a piece of string, a phone call. Before a life, air. And after. As silence is not silence, but a limit of hearing.
Jane Hirshfield
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The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
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There is no paradise, no place of true completion that does not include within its walls the unknown.
Jane Hirshfield
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Metaphors think with the imagination and the senses. The hot chili peppers in them explode in the mouth and the mind.
Jane Hirshfield
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Art keeps its newness because it's at once unforgettable and impossible to remember entirely. Art is too volatile, multiple and evaporative to hold on to. It's more chemical reaction, one you have to re-create each time, than a substance. Art's discoveries are also, almost always, counter to ordinary truths.
Jane Hirshfield
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I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield