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Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.

Jane Hirshfield

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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Deep
Language
Part
Also
Poems
Matter
Unexpected
Work
Draw
Life
Draws
Awareness

More quotes by Jane Hirshfield

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As this life is not a gate, but the horse plunging through it.
Jane Hirshfield
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Poems . . . are perfume bottles momentarily unstopped - what they release is volatile and will vanish, and yet it can be released again.
Jane Hirshfield
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And when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud how the black cord makes of them a single fabric that nothing can tear or mend.
Jane Hirshfield
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Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Jane Hirshfield
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There is no paradise, no place of true completion that does not include within its walls the unknown.
Jane Hirshfield
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You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
Jane Hirshfield
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The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
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At some unnoticed moment, I began to understand that a life is written in indelible ink.
Jane Hirshfield
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In the dream life you don't deliberately set out to dream about a house night after night the dream itself insists you look at whatever is trying to come into visibility.
Jane Hirshfield
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How silently the heart pivots on its hinge.
Jane Hirshfield
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The pressed oil of words can blaze up into music, into image, into the heart and mind's knowledge. The lit and shadowed places within us can be warmed.
Jane Hirshfield
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Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
Jane Hirshfield
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Something looks back from the trees, and knows me for who I am.
Jane Hirshfield
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This garden is no metaphor - more a task that swallows you into itself, earth using, as always, everything it can.
Jane Hirshfield
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The nourishment of Cezanne's awkward apples is in the tenderness and alertness they awaken inside us.
Jane Hirshfield
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Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
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It's one of the saving graces in a life, to be able to perceive one's own and others' absurdity, to notice our shared human frailties and be able, at least some of the time, to smile rather than grimace. Like most people, I must have started out with a comic worldview in my cupboard.
Jane Hirshfield
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The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
Jane Hirshfield
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History, mythology, and folktales are filled with stories of people punished for saying the truth. Only the Fool, exempt from society's rules, is allowed to speak with complete freedom.
Jane Hirshfield
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At some point I realized that you don't get a full human life if you try to cut off one end of it, that you need to agree to the entire experience, to the full spectrum of what happens.
Jane Hirshfield