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Zen taught me how to pay attention, how to delve, how to question and enter, how to stay with -- or at least want to try to stay with -- whatever is going on.
Jane Hirshfield
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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Stay
Question
Taught
Least
Attention
Whatever
Delve
Trying
Enter
Going
Pay
More quotes by Jane Hirshfield
I travel as much as I do. It isn't the life I expected. I don't know what dust of pollen will come back with me from these travels.But I must trust that I will not treat frivolously the glimpses I've been given into other places and others' lives.
Jane Hirshfield
as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Jane Hirshfield
A poem can use anything to talk about anything.
Jane Hirshfield
How fine is the mesh of death. You can almost see through it.
Jane Hirshfield
It's one of the saving graces in a life, to be able to perceive one's own and others' absurdity, to notice our shared human frailties and be able, at least some of the time, to smile rather than grimace. Like most people, I must have started out with a comic worldview in my cupboard.
Jane Hirshfield
Neither a person entirely broken nor one entirely whole can speak. In sorrow, pretend to be fearless. In happiness, tremble.
Jane Hirshfield
You may do this, I tell you, it is permitted. Begin again the story of your life.
Jane Hirshfield
Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Jane Hirshfield
The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
A poem makes clear without making simple. Poetry's language carries what lives outside language. It's as if you were given a 5-gallon bucket with 10 gallons of water in it. Mysterious thirsts are answered. That alchemical bucket carries secrets also, even the ones we keep from ourselves.
Jane Hirshfield
Leave a door open long enough, a cat will enter. Leave food, it will stay.
Jane Hirshfield
It's more for me as with going into a forest: if you sit quietly for a long time, the life around you emerges. As the world grows ever more clamorous, my hunger for silence steepens. I unplug the landline.
Jane Hirshfield
How fragile we are, between the few good moments.
Jane Hirshfield
The pressed oil of words can blaze up into music, into image, into the heart and mind's knowledge. The lit and shadowed places within us can be warmed.
Jane Hirshfield
What lives in words is what words were needed to learn.
Jane Hirshfield
History, mythology, and folktales are filled with stories of people punished for saying the truth. Only the Fool, exempt from society's rules, is allowed to speak with complete freedom.
Jane Hirshfield
I want to understand the piers of language and music and comprehension that can hold up a building even when what the building houses is an earthquake. This thinking must surely come into the poems I write, but more by osmosis than will.
Jane Hirshfield
Poems . . . are perfume bottles momentarily unstopped - what they release is volatile and will vanish, and yet it can be released again.
Jane Hirshfield
Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
Within the silence, expansion, and sustained day by day concentration, I grow permeable.
Jane Hirshfield
