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Leave a door open long enough, a cat will enter. Leave food, it will stay.

Jane Hirshfield

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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Stay
Leave
Food
Open
Enough
Enter
Long
Cat
Door
Doors

More quotes by Jane Hirshfield

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One breath taken completely one poem, fully written, fully read - in such a moment, anything can happen.
Jane Hirshfield
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A person is full of sorrow the way a burlap sack is full of stones or sand.
Jane Hirshfield
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Art keeps its newness because it's at once unforgettable and impossible to remember entirely. Art is too volatile, multiple and evaporative to hold on to. It's more chemical reaction, one you have to re-create each time, than a substance. Art's discoveries are also, almost always, counter to ordinary truths.
Jane Hirshfield
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I want to understand the piers of language and music and comprehension that can hold up a building even when what the building houses is an earthquake. This thinking must surely come into the poems I write, but more by osmosis than will.
Jane Hirshfield
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You may do this, I tell you, it is permitted. Begin again the story of your life.
Jane Hirshfield
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Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
Jane Hirshfield
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The moonlight builds its cold chapel again out of piecemeal darkness.
Jane Hirshfield
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Poems . . . are perfume bottles momentarily unstopped - what they release is volatile and will vanish, and yet it can be released again.
Jane Hirshfield
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The pressed oil of words can blaze up into music, into image, into the heart and mind's knowledge. The lit and shadowed places within us can be warmed.
Jane Hirshfield
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Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
Jane Hirshfield
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At another level, though, poems can craft an eraser - we can't revise the past, but poems allow us some malleability, an increased freedom of response, comprehension, feeling. Choice, what choices are possible for any given person, is another theme that's run through my work from the start.
Jane Hirshfield
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Zen taught me how to pay attention, how to delve, how to question and enter, how to stay with -- or at least want to try to stay with -- whatever is going on.
Jane Hirshfield
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History, mythology, and folktales are filled with stories of people punished for saying the truth. Only the Fool, exempt from society's rules, is allowed to speak with complete freedom.
Jane Hirshfield
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Zen pretty much comes down to three things -- everything changes everything is connected pay attention.
Jane Hirshfield
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How sad they are, the promises we never return to. They stay in our mouths, roughen the tongue, lead lives of their own.
Jane Hirshfield
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The creative is always an act of recombination, with something added by new juxtaposition—as making a spark requires two things struck together.
Jane Hirshfield
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A studio, like a poem, is an intimacy and a freedom you can look out from, into each part of your life and a little beyond.
Jane Hirshfield
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At some unnoticed moment, I began to understand that a life is written in indelible ink.
Jane Hirshfield
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I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield
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It's more for me as with going into a forest: if you sit quietly for a long time, the life around you emerges. As the world grows ever more clamorous, my hunger for silence steepens. I unplug the landline.
Jane Hirshfield