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At some unnoticed moment, I began to understand that a life is written in indelible ink.

Jane Hirshfield

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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Understand
Moments
Life
Indelible
Unnoticed
Ink
Began
Written
Moment

More quotes by Jane Hirshfield

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Zen pretty much comes down to three things -- everything changes everything is connected pay attention.
Jane Hirshfield
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The moonlight builds its cold chapel again out of piecemeal darkness.
Jane Hirshfield
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Isn't the small and common the field we live our life in? The large comes into a life through small-paned windows. A breath is small, but everything depends on it. A person looks at you a single, brief moment longer than is necessary, and everything is changed. The smaller the clue, the larger the meaning, it sometimes feels.
Jane Hirshfield
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As this life is not a gate, but the horse plunging through it.
Jane Hirshfield
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The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
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Within the silence, expansion, and sustained day by day concentration, I grow permeable.
Jane Hirshfield
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How silently the heart pivots on its hinge.
Jane Hirshfield
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A poem can use anything to talk about anything.
Jane Hirshfield
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A poem's essential discovery can happen at a single sitting. The cascade of discoveries in an essay, or even finding a question worth exploring in one, seems to need roughly the time it takes to plant and harvest a crop of bush beans.
Jane Hirshfield
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Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
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as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Jane Hirshfield
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I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield
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Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Jane Hirshfield
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And when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud how the black cord makes of them a single fabric that nothing can tear or mend.
Jane Hirshfield
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You may do this, I tell you, it is permitted. Begin again the story of your life.
Jane Hirshfield
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Any woodthrush shows it - he sings, not to fill the world, but because he is filled.
Jane Hirshfield
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Neither a person entirely broken nor one entirely whole can speak. In sorrow, pretend to be fearless. In happiness, tremble.
Jane Hirshfield
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You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
Jane Hirshfield
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The writing of an assay-type poem or a poem investigating perspective isn't an exercise of rational or strategic mind. Poems for me are acts of small or large desperation. They grapple with surfaces too steep to walk in any other way, yet which have to be traveled.
Jane Hirshfield
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Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
Jane Hirshfield