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Any woodthrush shows it - he sings, not to fill the world, but because he is filled.

Jane Hirshfield

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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Shows
World
Sings
Fill
Bird
Filled

More quotes by Jane Hirshfield

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Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.
Jane Hirshfield
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as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Jane Hirshfield
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Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
Jane Hirshfield
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Poems . . . are perfume bottles momentarily unstopped - what they release is volatile and will vanish, and yet it can be released again.
Jane Hirshfield
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A person is full of sorrow the way a burlap sack is full of stones or sand.
Jane Hirshfield
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The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
Jane Hirshfield
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Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
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At some point I realized that you don't get a full human life if you try to cut off one end of it, that you need to agree to the entire experience, to the full spectrum of what happens.
Jane Hirshfield
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And when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud how the black cord makes of them a single fabric that nothing can tear or mend.
Jane Hirshfield
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One breath taken completely one poem, fully written, fully read - in such a moment, anything can happen.
Jane Hirshfield
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As this life is not a gate, but the horse plunging through it.
Jane Hirshfield
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The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
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I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield
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Within the silence, expansion, and sustained day by day concentration, I grow permeable.
Jane Hirshfield
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Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
Jane Hirshfield
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Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Jane Hirshfield
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Metaphors think with the imagination and the senses. The hot chili peppers in them explode in the mouth and the mind.
Jane Hirshfield
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Zen pretty much comes down to three things -- everything changes everything is connected pay attention.
Jane Hirshfield
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Self carries grief as a pack mule carries the side bags, being careful between the trees to leave extra room.
Jane Hirshfield
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What lives in words is what words were needed to learn.
Jane Hirshfield