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Zen is less the study of doctrine than a set of tools for discovering what can be known when the world is looked at with open eyes.

Jane Hirshfield

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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Eye
Discovering
Less
Doctrine
World
Tools
Looked
Study
Open
Eyes
Known

More quotes by Jane Hirshfield

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Poems . . . are perfume bottles momentarily unstopped - what they release is volatile and will vanish, and yet it can be released again.
Jane Hirshfield
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Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
Jane Hirshfield
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I want to understand the piers of language and music and comprehension that can hold up a building even when what the building houses is an earthquake. This thinking must surely come into the poems I write, but more by osmosis than will.
Jane Hirshfield
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The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
Jane Hirshfield
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At another level, though, poems can craft an eraser - we can't revise the past, but poems allow us some malleability, an increased freedom of response, comprehension, feeling. Choice, what choices are possible for any given person, is another theme that's run through my work from the start.
Jane Hirshfield
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At some unnoticed moment, I began to understand that a life is written in indelible ink.
Jane Hirshfield
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Zen pretty much comes down to three things -- everything changes everything is connected pay attention.
Jane Hirshfield
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Zen taught me how to pay attention, how to delve, how to question and enter, how to stay with -- or at least want to try to stay with -- whatever is going on.
Jane Hirshfield
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A person is full of sorrow the way a burlap sack is full of stones or sand.
Jane Hirshfield
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Within the silence, expansion, and sustained day by day concentration, I grow permeable.
Jane Hirshfield
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The pressed oil of words can blaze up into music, into image, into the heart and mind's knowledge. The lit and shadowed places within us can be warmed.
Jane Hirshfield
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Poems' deep work is a matter of language, but also a matter of life. One part of that work is to draw into our awareness and into language itself the unobvious and the unexpected.
Jane Hirshfield
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Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
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How fragile we are, between the few good moments.
Jane Hirshfield
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Neither a person entirely broken nor one entirely whole can speak. In sorrow, pretend to be fearless. In happiness, tremble.
Jane Hirshfield
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At some point I realized that you don't get a full human life if you try to cut off one end of it, that you need to agree to the entire experience, to the full spectrum of what happens.
Jane Hirshfield
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A poem can use anything to talk about anything.
Jane Hirshfield
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A poem's essential discovery can happen at a single sitting. The cascade of discoveries in an essay, or even finding a question worth exploring in one, seems to need roughly the time it takes to plant and harvest a crop of bush beans.
Jane Hirshfield
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as some strings, untouched, sound when no one is speaking. So it was when love slipped inside us.
Jane Hirshfield
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You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
Jane Hirshfield