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Everything has two endings- a horse, a piece of string, a phone call. Before a life, air. And after. As silence is not silence, but a limit of hearing.
Jane Hirshfield
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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Life
Horse
Endings
Air
String
Limits
Strings
Pieces
Limit
Silence
Phone
Call
Phones
Two
Hearing
Everything
Piece
More quotes by Jane Hirshfield
Neither a person entirely broken nor one entirely whole can speak. In sorrow, pretend to be fearless. In happiness, tremble.
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Something looks back from the trees, and knows me for who I am.
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Zen pretty much comes down to three things -- everything changes everything is connected pay attention.
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It's more for me as with going into a forest: if you sit quietly for a long time, the life around you emerges. As the world grows ever more clamorous, my hunger for silence steepens. I unplug the landline.
Jane Hirshfield
I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield
So few the grains of happiness measured against all the dark and still the scales balance.
Jane Hirshfield
How fine is the mesh of death. You can almost see through it.
Jane Hirshfield
How sad they are, the promises we never return to. They stay in our mouths, roughen the tongue, lead lives of their own.
Jane Hirshfield
You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
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Within the silence, expansion, and sustained day by day concentration, I grow permeable.
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Metaphors think with the imagination and the senses. The hot chili peppers in them explode in the mouth and the mind.
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The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
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At some unnoticed moment, I began to understand that a life is written in indelible ink.
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And when two people have loved each other see how it is like a scar between their bodies, stronger, darker, and proud how the black cord makes of them a single fabric that nothing can tear or mend.
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Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
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The creative is always an act of recombination, with something added by new juxtaposition—as making a spark requires two things struck together.
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A person is full of sorrow the way a burlap sack is full of stones or sand.
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Art keeps its newness because it's at once unforgettable and impossible to remember entirely. Art is too volatile, multiple and evaporative to hold on to. It's more chemical reaction, one you have to re-create each time, than a substance. Art's discoveries are also, almost always, counter to ordinary truths.
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Leave a door open long enough, a cat will enter. Leave food, it will stay.
Jane Hirshfield
Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
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