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You must try, the voice said, to become colder. I understood at once. It's like the bodies of gods: cast in bronze, braced in stone. Only something heartless could bear the full weight.
Jane Hirshfield
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Jane Hirshfield
Age: 71
Born: 1953
Born: February 24
Climate Activist
Essayist
Linguist
Poet
Translator
Writer
Manhattan borough
New York City
Full
Casts
Voice
Bodies
Become
Gods
Braced
Body
Bear
Colder
Must
Stones
Bronze
Trying
Bears
Heartless
Something
Weight
Cast
Like
Understood
Stone
More quotes by Jane Hirshfield
Time ... brings us everything we have and are, then comes with a back-loader and starts taking it all away.
Jane Hirshfield
The nourishment of Cezanne's awkward apples is in the tenderness and alertness they awaken inside us.
Jane Hirshfield
Any woodthrush shows it - he sings, not to fill the world, but because he is filled.
Jane Hirshfield
Good poems ask us to have complex minds and hearts. Even simple-of-surface poems want that. Perhaps those are the ones that want it most of all, since that's where they do their work: in the unspoken complexities, understood off the page.
Jane Hirshfield
What lives in words is what words were needed to learn.
Jane Hirshfield
Neither a person entirely broken nor one entirely whole can speak. In sorrow, pretend to be fearless. In happiness, tremble.
Jane Hirshfield
History, mythology, and folktales are filled with stories of people punished for saying the truth. Only the Fool, exempt from society's rules, is allowed to speak with complete freedom.
Jane Hirshfield
I need more and more silence, it feels. Poems don't leap into my mind when I'm distracted, turned outward, with other people, listening to music.
Jane Hirshfield
Everything has two endings- a horse, a piece of string, a phone call. Before a life, air. And after. As silence is not silence, but a limit of hearing.
Jane Hirshfield
At another level, though, poems can craft an eraser - we can't revise the past, but poems allow us some malleability, an increased freedom of response, comprehension, feeling. Choice, what choices are possible for any given person, is another theme that's run through my work from the start.
Jane Hirshfield
Art-making is learned by immersion. You take in vocabularies of thought and feeling, grammar, diction, gesture, from the poems of others, and emerge with the power to turn language into a lathe for re-shaping, re-knowing your own tongue, heart, and life.
Jane Hirshfield
Passion does not make careful arguments: it declares itself, and that is enough.
Jane Hirshfield
Wrong solitude vinegars the soul, right solitude oils it.
Jane Hirshfield
Art keeps its newness because it's at once unforgettable and impossible to remember entirely. Art is too volatile, multiple and evaporative to hold on to. It's more chemical reaction, one you have to re-create each time, than a substance. Art's discoveries are also, almost always, counter to ordinary truths.
Jane Hirshfield
The ability to name poetry's gestures and rhetorics isn't required to write or read them, any more than a painter needs to know the physics of color to bring forward a landscape. The eye and hand and ear know what they need to know. Some of us want to know more, because knowing pleases.
Jane Hirshfield
The heft of a life in the hands grows both lighter and weightier. Over time, my life has become more saturated with its shape and made-ness, while my poems have become more and more free. The first word of every poem might be Yes. The next words: And then.
Jane Hirshfield
The moonlight builds its cold chapel again out of piecemeal darkness.
Jane Hirshfield
The writing of an assay-type poem or a poem investigating perspective isn't an exercise of rational or strategic mind. Poems for me are acts of small or large desperation. They grapple with surfaces too steep to walk in any other way, yet which have to be traveled.
Jane Hirshfield
Isn't the small and common the field we live our life in? The large comes into a life through small-paned windows. A breath is small, but everything depends on it. A person looks at you a single, brief moment longer than is necessary, and everything is changed. The smaller the clue, the larger the meaning, it sometimes feels.
Jane Hirshfield
So few the grains of happiness measured against all the dark and still the scales balance.
Jane Hirshfield