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I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.
Jane Campion
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Jane Campion
Age: 70
Born: 1954
Born: April 30
Actor
Film Director
Film Producer
Screenwriter
Wellington
New Zealand
Elizabeth Jane Campion
Dame Jane Campion
Dame Elizabeth Jane Campion
Think
Order
Fill
Thinking
Film
Expected
Two
Obvious
Problem
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Ideas
Almost
Sometimes
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Fundamentalism
Way
Culture
Phrase
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Three
Phrases
More quotes by Jane Campion
So many actors are not open in front of the camera - they have a persona.
Jane Campion
I think if it's interesting, it's interesting, and if it's not, it's not working.
Jane Campion
Only when you are relaxed can you see what's going on.
Jane Campion
When you first fall in love it's so thrilling, you can't wait to throw yourself away and make this new wonderful twosome.
Jane Campion
My musical knowledge is so bad it's embarrassing. When composers discuss music with someone as primitive as myself, they have to talk about it in terms of senses and emotion, rather than keys and tempo.
Jane Campion
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
Jane Campion
It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.
Jane Campion
This is the first generation to grow up on Thatcher - it's a different ethos. It's money minded, and it's the cult of yourself. Now that's fine, except when it falls down, and you can't achieve your goals - through high unemployment, through the fact that you probably need inherited money to get anywhere.
Jane Campion
If you read Keats's poems, they're often full of doubts and anxieties. They can be quite tough.
Jane Campion
I'm a much better filmmaker than painter. But studying it did make me visually acute and taught me lessons like being economic: Say something once and you don't have to say it again.
Jane Campion
There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses.
Jane Campion
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Jane Campion
And, I mean, I think poetry does need to be met to some extent, especially, I guess, 19th century poetry, and for me, it's just been so worth the effort. It's like I'm planting a garden in my head.
Jane Campion
You know, sex is actually not so original as the way people love or the stories behind each relationship, which is what you remember. Sex is sex in the end.
Jane Campion
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
Jane Campion
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
Jane Campion
In some ways Holy Smoke is about people's journey to the heart.
Jane Campion
The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
Jane Campion
I did this Super-8 film at art school called Tissues, this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
Jane Campion
When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.
Jane Campion