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What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.

Jane Campion

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Jane Campion
Age: 70
Born: 1954
Born: April 30
Actor
Film Director
Film Producer
Screenwriter
Wellington
New Zealand
Elizabeth Jane Campion
Dame Jane Campion
Dame Elizabeth Jane Campion
Evil
Also
Trying
Work
Letting
Much
Importance
Good
Protect
Learned
Open

More quotes by Jane Campion

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In some ways Holy Smoke is about people's journey to the heart.
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But I think it's quite clear in my work that my orientation isn't political or doesn't come out of modern politics.
Jane Campion
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I did this Super-8 film at art school called Tissues, this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
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Actual violence has no attraction for me at all.
Jane Campion
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There are some things that are real, that you can see, that you can observe, like the moon, and grass and things. But for ideas to become real, they have to be played on your senses.
Jane Campion
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I'm a much better filmmaker than painter. But studying it did make me visually acute and taught me lessons like being economic: Say something once and you don't have to say it again.
Jane Campion
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I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.
Jane Campion
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I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
Jane Campion
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I love it when actors come to you with a problem and you have to listen. You'd like them to just get on with it, but it often means that there's a problem with the script.
Jane Campion
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Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust.
Jane Campion
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I think the whole tension about romanticism is the way it builds and builds, and the moment it's consummated, the tension's over.
Jane Campion
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There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.
Jane Campion
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I don't belong to any clubs, and I dislike club mentality of any kind, even feminism - although I do relate to the purpose and point of feminism. More in the work of older feminists, really, like Germaine Greer.
Jane Campion
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The Piano ended up on television. Everything ends up there anyway.
Jane Campion
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Only when you are relaxed can you see what's going on.
Jane Campion
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I think if it's interesting, it's interesting, and if it's not, it's not working.
Jane Campion
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There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.
Jane Campion
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So many actors are not open in front of the camera - they have a persona.
Jane Campion
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When I read Andrew Motion's biography, I wept. It's something about the purity of the story and how fresh it was because of the love letters Keats wrote.
Jane Campion
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When you first fall in love it's so thrilling, you can't wait to throw yourself away and make this new wonderful twosome.
Jane Campion