Quote

What I have learned from my work up to now, is to try to be open, but also protect myself by not letting the good and the evil get too much importance.

Jane Campion

Change background

T
T
T

Change font

TAGS & TOPICS

Jane Campion
Age: 70
Born: 1954
Born: April 30
Actor
Film Director
Film Producer
Screenwriter
Wellington
New Zealand
Elizabeth Jane Campion
Dame Jane Campion
Dame Elizabeth Jane Campion
Also
Trying
Work
Letting
Much
Importance
Good
Protect
Learned
Open
Evil

More quotes by Jane Campion

Image
I think that three-act fundamentalism in film culture is a problem sometimes, because it's almost too obvious, or it's too expected. And it's not the only way to fill two hours, or to phrase things, or to order thoughts, or order ideas.
Jane Campion
Image
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if I didn't quit making movies for a while and spend time with her. I also felt that I'd made enough movies and said what I had to say at the time.
Jane Campion
Image
In some ways Holy Smoke is about people's journey to the heart.
Jane Campion
Image
You know, sex is actually not so original as the way people love or the stories behind each relationship, which is what you remember. Sex is sex in the end.
Jane Campion
Image
There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.
Jane Campion
Image
If you start with a good idea, you can encapsulate it in a phrase and explain it. I like high-concept films. Everyone can get hold of it. I don't think there's any harm in that at all.
Jane Campion
Image
If you read Keats's poems, they're often full of doubts and anxieties. They can be quite tough.
Jane Campion
Image
I think the whole tension about romanticism is the way it builds and builds, and the moment it's consummated, the tension's over.
Jane Campion
Image
It's harder being a woman director because on the whole women don't have husbands or boyfriends who are willing to be wives
Jane Campion
Image
Actual violence has no attraction for me at all.
Jane Campion
Image
I think if it's interesting, it's interesting, and if it's not, it's not working.
Jane Campion
Image
Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust.
Jane Campion
Image
It's a luxury to be able to tell a long form story. I love novels, and I love to have a long relationship with characters.
Jane Campion
Image
Only when you are relaxed can you see what's going on.
Jane Campion
Image
I would love to see more women directors because they represent half of the population and gave birth to the whole world. Without them the rest [of the world] are not getting to know the whole story.
Jane Campion
Image
To deny women directors, as I suspect is happening in the States, is to deny the feminine vision.
Jane Campion
Image
The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
Jane Campion
Image
My musical knowledge is so bad it's embarrassing. When composers discuss music with someone as primitive as myself, they have to talk about it in terms of senses and emotion, rather than keys and tempo.
Jane Campion
Image
I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.
Jane Campion
Image
I have to admit that I had a lot of problems with poetry.
Jane Campion