My parents would tell us to go outside and play or to do creative stuff, but television was very limited. So we used our own creativity to entertain ourselves. We were out in the woods a lot making huts and playing horses.

I would like teachers to look deep because sometimes kids do have a faade that they put up because they feel vulnerable. Their creative truth may not be ready for their friends to see.

We're going to Surf City, gonna have some fun. Now, two girls for every boy.

I create books for six-year-olds. I don't know why that time of my life was so important to me, but no matter what I draw, it always looks like it comes from a children's book. I can't resist. I'll set out to paint a serious picture then think, Well, maybe there would be a little bunny in that corner.

I like to pretend that each book is my first one and last one, because it takes a tremendous amount of energy to do a book.

I've found places that are just as beautiful as New England, but this is my home.

I love children because that's a part of my life that was so happy, and I like to remember back to those days where everything is a discovery, and the world is so fresh.

People may think that because I have illustrated and written all these books it must be easy for me, but it's not really easy for me. The drawing part is easy - I love doing it. But continuing to move forward is hard.

Of all people, children are the ones that really understand when there's a truth there for them - an emotional truth. The characters really have to work. Children, as an audience, are very inspirational for me.

I always feel like my book is a success when I see a child reading it, and they have their pointer finger out, and they kind of keep their place as they look all around the page. I've always been impressed by how children are so observant.

I remember the special quiet of rainy days when I felt that I could enter the pages of my beautiful picture books. Now I try to recreate that feeling of believing that the imaginary place I'm drawing really exists. The detail in my work helps to convince me, and I hope others as well, that such places might be real.

The detail in my work helps to convince me, and I hope others as well, that such places might be real.

Writing a story is like going down a path in the woods. You follow the path. You don't worry about getting lost. You just go.