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Mitt Romney - he had a Rock Hudson thing going, shoeblack hair and a well-hung resume, but even for a shameless, position-shifting phony he seemed a trifle insincere.

James Wolcott

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James Wolcott
Age: 71
Born: 1952
Born: December 10
Journalist
Novelist
New York City
New York
Going
Rock
Resumes
Rocks
Mitt
Hair
Phony
Position
Trifles
Hudson
Wells
Shifting
Trifle
Well
Romney
Insincere
Even
Hung
Resume
Thing
Seemed
Shameless

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Robert Pattinson is rebel cool incarnated -- the James Dean of the undead.
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[Richard Crossley's] previous bird guide, for ID'ing Eastern birds, is the most imaginative, original attempt to re-envision the birding guide and set his approach apart from that of Sibley, Kaufman, Peterson, Nat'l Geo, and the other bibles in the field.
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And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.
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Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
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What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'
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With Barack Obama as president and the super-happening Michelle Obama as First Lady, you would think a new tone, a new tune, a kicky new jazzitude, would have entered Washington discourse, but it remains a landlocked island unto itself, held captive by its tribal fevers.
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My high-school papers, my college-application essays, read like Norman Mailer packed in a crunchy-peanut-butter sandwich.
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Broadway purists may deplore the influx of movie-spinoff musicals in recent years, wishing someone would turn off the popcorn machine and let more imaginative brainstorms blow through.
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Used to be, conservatives revered the Average American, that Norman Rockwell oil painting of diner food, humble faith, honest toil, and Capraesque virtue.
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At 'The Village Voice,' there were all these fevers inside the offices, that would break out into full-scale rumbles between writers.
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It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.
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A lost election can have the jolt of a drop through the gallows door, leading to a dark night of the soul in which the future presses down like a cloud that will never lift.
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Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'
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I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.
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With 'Black Swan,' the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
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It's one thing to fight for what you believe in, another thing to fight for what others believe in.
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Historically, Hollywood comedy has arrived in skinny envelopes. From fence post Buster Keaton to herky-jerky Jerry Lewis to wiry nerve-bundle Woody Allen to hung-loose Richard Pryor to whippy contortionist Jim Carrey, its comics and clowns have tended to be sliced thin and bendable.
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Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
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It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
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Even the most piddling life is of momentous consequence to its owner.
James Wolcott