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'Hairspray' was a movie turned Broadway musical turned Hollywood remake, and that is the 'Lion King' circle of life as we know it in Times Square, the creative loop that swings for the stars and sometimes crashes into the upper deck.

James Wolcott

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James Wolcott
Age: 71
Born: 1952
Born: December 10
Journalist
Novelist
New York City
New York
Hollywood
Broadway
Remakes
Movie
Crash
Deck
Stars
Circle
Upper
Creative
Circles
Lion
Times
King
Square
Crashes
Sometimes
Musical
Swings
Loop
Life
Turned
Squares
Remake
Kings
Lions
Loops

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Wisdom is for statues. Humor uncaps our inhibitions, unleashes our energies, seals friendships, patches hurts. Laughing is probably the most alive you can be.
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It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
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On August 28, 2010, Fox News messiah Glenn Beck hosted a 'Restoring Honor' revival meeting featuring sexy guest star Sarah Palin, much as Bob Hope would roll out Raquel Welch in white go-go boots on his U.S.O. tours to give our fighting men a morale lift in their khakis.
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People want somebody to be a daredevil, even if they're not going to be a daredevil themselves.
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As we divest ourselves of once familiar physical objects - digitize and dematerialize - we approach a 'Star Trek' future in which everything can be accessed from the fourth dimension with a few clicks or terse audibles.
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Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'
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What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'
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At 'The Village Voice,' there were all these fevers inside the offices, that would break out into full-scale rumbles between writers.
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Popular culture no longer craves archangels and new dawns. Pop culture traffics in vampires and deads of night.
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High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future self-esteem was considered something you had to pick from the garden yourself.
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Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
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The unhappy irony is that, while 'Glee' is hitting the heights, school arts funding is being slashed across the country due to the steep recession and declining tax revenues.
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Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.
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With 'Black Swan,' the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
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It's one thing to fight for what you believe in, another thing to fight for what others believe in.
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I understand the people-watching, but I've never done it where people have to race to three different shows, from here to there. I mean, the biggest zoo I ever faced was Comic Con, and Comic Con takes place in one big hangar.
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It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.
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Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.
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I understand that one of the purposes of bipartisanship is to cram something difficult and necessary down the American people's gullets for which neither party has the fortitude to assume full responsibility. It's a way of turning a possible gangplank into a teeter-totter.
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