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Broadway purists may deplore the influx of movie-spinoff musicals in recent years, wishing someone would turn off the popcorn machine and let more imaginative brainstorms blow through.

James Wolcott

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James Wolcott
Age: 71
Born: 1952
Born: December 10
Journalist
Novelist
New York City
New York
Turns
Imaginative
Wish
Recent
Someone
Broadway
Purists
May
Machine
Influx
Years
Blow
Deplore
Would
Machines
Musicals
Turn
Popcorn
Movie
Wishing

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Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
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Wisdom is for statues. Humor uncaps our inhibitions, unleashes our energies, seals friendships, patches hurts. Laughing is probably the most alive you can be.
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I understand the people-watching, but I've never done it where people have to race to three different shows, from here to there. I mean, the biggest zoo I ever faced was Comic Con, and Comic Con takes place in one big hangar.
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Historically, Hollywood comedy has arrived in skinny envelopes. From fence post Buster Keaton to herky-jerky Jerry Lewis to wiry nerve-bundle Woody Allen to hung-loose Richard Pryor to whippy contortionist Jim Carrey, its comics and clowns have tended to be sliced thin and bendable.
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Used to be, conservatives revered the Average American, that Norman Rockwell oil painting of diner food, humble faith, honest toil, and Capraesque virtue.
James Wolcott
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As music migrates into our iPods, CD collections require less and less room, residing in our heads rather than resounding off the walls. The protracted labor of amassing a personal music library has lost its detective zeal.
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In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down.
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What a turnaround in sentiment 'Glee' exemplifies. It was only a few years ago that pursuing the dream of a Broadway career or cabaret stardom relegated some poor yearning dope to a lavender ghetto of losers, self-deluders, and social rejects.
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A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.
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'Hairspray' was a movie turned Broadway musical turned Hollywood remake, and that is the 'Lion King' circle of life as we know it in Times Square, the creative loop that swings for the stars and sometimes crashes into the upper deck.
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Everyone is entitled to his own nostalgia.
James Wolcott
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With Barack Obama as president and the super-happening Michelle Obama as First Lady, you would think a new tone, a new tune, a kicky new jazzitude, would have entered Washington discourse, but it remains a landlocked island unto itself, held captive by its tribal fevers.
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After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
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High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future self-esteem was considered something you had to pick from the garden yourself.
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I never accepted why there should be some invisible, wavy cutoff line separating Great Fiction from phosphorescent beauties and dollhouse miniatures, novels that contain a whole world in a snow globe.
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It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.
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As we divest ourselves of once familiar physical objects - digitize and dematerialize - we approach a 'Star Trek' future in which everything can be accessed from the fourth dimension with a few clicks or terse audibles.
James Wolcott
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[Richard Crossley's] previous bird guide, for ID'ing Eastern birds, is the most imaginative, original attempt to re-envision the birding guide and set his approach apart from that of Sibley, Kaufman, Peterson, Nat'l Geo, and the other bibles in the field.
James Wolcott
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With 'Black Swan,' the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
James Wolcott
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It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
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