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As music migrates into our iPods, CD collections require less and less room, residing in our heads rather than resounding off the walls. The protracted labor of amassing a personal music library has lost its detective zeal.

James Wolcott

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James Wolcott
Age: 71
Born: 1952
Born: December 10
Journalist
Novelist
New York City
New York
Lost
Library
Ipods
Music
Labor
Detective
Wall
Detectives
Room
Zeal
Amassing
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Collections
Residing
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Walls
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What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'
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I understand the people-watching, but I've never done it where people have to race to three different shows, from here to there. I mean, the biggest zoo I ever faced was Comic Con, and Comic Con takes place in one big hangar.
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In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down.
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Robert Pattinson is rebel cool incarnated -- the James Dean of the undead.
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Historically, Hollywood comedy has arrived in skinny envelopes. From fence post Buster Keaton to herky-jerky Jerry Lewis to wiry nerve-bundle Woody Allen to hung-loose Richard Pryor to whippy contortionist Jim Carrey, its comics and clowns have tended to be sliced thin and bendable.
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Broadway purists may deplore the influx of movie-spinoff musicals in recent years, wishing someone would turn off the popcorn machine and let more imaginative brainstorms blow through.
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High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future self-esteem was considered something you had to pick from the garden yourself.
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With 'Black Swan,' the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
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Mitt Romney - he had a Rock Hudson thing going, shoeblack hair and a well-hung resume, but even for a shameless, position-shifting phony he seemed a trifle insincere.
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My high-school papers, my college-application essays, read like Norman Mailer packed in a crunchy-peanut-butter sandwich.
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After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
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At 'The Village Voice,' there were all these fevers inside the offices, that would break out into full-scale rumbles between writers.
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Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'
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And what could be a hotter ticket than the improbable triumph of 'The Book of Mormon,' the musical-comedy moon shot of the season? Its creators, Matt Stone and Trey Parker, of Comedy Central's 'South Park,' are the most unlikely Rodgers and Hammerstein team ever to bowl a thundering strike.
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Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.
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A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.
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What a turnaround in sentiment 'Glee' exemplifies. It was only a few years ago that pursuing the dream of a Broadway career or cabaret stardom relegated some poor yearning dope to a lavender ghetto of losers, self-deluders, and social rejects.
James Wolcott
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It's the contemporary woman that movies don't know what to do with, other than bathe her in a bridal glow in romantic comedies where both the romance and the comedy are artificial sweeteners.
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I think ambition is a desire for recognition. People want to be special. I think ambition can take in a whole package of things, power or sexual excitement.
James Wolcott
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I never accepted why there should be some invisible, wavy cutoff line separating Great Fiction from phosphorescent beauties and dollhouse miniatures, novels that contain a whole world in a snow globe.
James Wolcott