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A typical 'Larry King Live' is a pastiche whose absurdism defies parody. Wearing his trademark suspenders and purple shirts, he looks as if he's strapped to the chair with vertical seat belts, unable to eject.

James Wolcott

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James Wolcott
Age: 71
Born: 1952
Born: December 10
Journalist
Novelist
New York City
New York
Live
Typical
Vertical
Looks
Chairs
Parody
Absurdism
Seats
Larry
Pastiche
Shirts
Belts
Suspenders
Wearing
Purple
Trademark
King
Seat
Strapped
Kings
Chair
Trademarks
Whose
Unable
Defies

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It's one thing to fight for what you believe in, another thing to fight for what others believe in.
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'Hairspray' was a movie turned Broadway musical turned Hollywood remake, and that is the 'Lion King' circle of life as we know it in Times Square, the creative loop that swings for the stars and sometimes crashes into the upper deck.
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Like 'Twin Peaks,' '24,' 'Mad Men,' and 'The Sopranos' before it, 'Downton Abbey' enriches the iconography and collective lore of pop culture. It replenishes the stream.
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It isn't that NPR is matriarchal but that it has dedicated itself to not being patriarchal in its outlook and presentation, stipulating from the outset that its headline voices would not resound across the fruited plains from big male bags of air sent from Mount Olympus.
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On August 28, 2010, Fox News messiah Glenn Beck hosted a 'Restoring Honor' revival meeting featuring sexy guest star Sarah Palin, much as Bob Hope would roll out Raquel Welch in white go-go boots on his U.S.O. tours to give our fighting men a morale lift in their khakis.
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The unhappy irony is that, while 'Glee' is hitting the heights, school arts funding is being slashed across the country due to the steep recession and declining tax revenues.
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I think ambition is a desire for recognition. People want to be special. I think ambition can take in a whole package of things, power or sexual excitement.
James Wolcott
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Book-jacket design may become a lost art, like album-cover design, without which late-20th-century iconography would have been pauperized.
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As we divest ourselves of once familiar physical objects - digitize and dematerialize - we approach a 'Star Trek' future in which everything can be accessed from the fourth dimension with a few clicks or terse audibles.
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I never accepted why there should be some invisible, wavy cutoff line separating Great Fiction from phosphorescent beauties and dollhouse miniatures, novels that contain a whole world in a snow globe.
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High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future self-esteem was considered something you had to pick from the garden yourself.
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What a turnaround in sentiment 'Glee' exemplifies. It was only a few years ago that pursuing the dream of a Broadway career or cabaret stardom relegated some poor yearning dope to a lavender ghetto of losers, self-deluders, and social rejects.
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Wisdom is for statues. Humor uncaps our inhibitions, unleashes our energies, seals friendships, patches hurts. Laughing is probably the most alive you can be.
James Wolcott
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I understand that one of the purposes of bipartisanship is to cram something difficult and necessary down the American people's gullets for which neither party has the fortitude to assume full responsibility. It's a way of turning a possible gangplank into a teeter-totter.
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Mitt Romney - he had a Rock Hudson thing going, shoeblack hair and a well-hung resume, but even for a shameless, position-shifting phony he seemed a trifle insincere.
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After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
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With 'Black Swan,' the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
James Wolcott
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I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.
James Wolcott
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With Barack Obama as president and the super-happening Michelle Obama as First Lady, you would think a new tone, a new tune, a kicky new jazzitude, would have entered Washington discourse, but it remains a landlocked island unto itself, held captive by its tribal fevers.
James Wolcott
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At 'The Village Voice,' there were all these fevers inside the offices, that would break out into full-scale rumbles between writers.
James Wolcott