Quote

They are travelling cheaply, with that touch of indolence and occasional luxury that comes only from having real resources. They live in Levis and sunlight. Sometimes they brush their teeth in streams.

James Salter

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James Salter
Aircraft Pilot
Film Director
Novelist
Screenwriter
Writer
New York City
New York
Teeth
Indolence
Touch
Travelling
Resources
Brush
Comes
Brushes
Live
Occasional
Sometimes
Sunlight
Real
Streams
Levis
Luxury
Cheaply

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A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.
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I am afraid of him, of all men who are successful in love.
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You lived and died alone, especially in fighters. Fighters. Somehow, despite everything, that word had not become sterile. You slipped into the hollow cockpit and strapped and plugged yourself into the machine. The canopy ground shut and sealed you off. Your oxygen, your very breath, you carried into the chilled vacuum, in a steel bottle.
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The dreams are the skeleton of all reality.
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Your parents are the parents you know best. Your brother and sister, if you have them, are the brother and sister you know best. They may not be the ones you like the best. They may not be the most interesting, but they are the closest and probably the clearest to you.
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Events need their invitation, dissolutions their start.
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I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.
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You write for glory. You play for glory. There's an ambition to excel, isn't there, to be a star? To score more, to do more, even when it's a team sport. So I think striving for glory is a natural subject for a writer. Seeking fame.
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Amplitude is a powerful quality in fiction. It results in involvement, in sympathy with the characters. After a while, a reader can't avoid being involved with a book, caring about it, even if it's not a particularly good book. You're in it, and you're committed to it.
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You can write about other people and their ideas and life without having lived it, but even your perception of that is going to be colored by what you know and what you experience. And this is undeniable.
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Lots of scripts are written and not made, even scripts that people want to make.
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Normally, what you’re envious of is a book, not a writer: standards, ideas, levels … almost nonexistent things.
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Life passes into pages if it passes into anything.
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They lay silently. She was staring at something across the room. She was making him feel uncomfortable. 'It wouldn't work. It's the attraction of opposites,' he said. We're not opposites.' I don't mean just you and me. Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave.
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ONE OF THE LAST GREAT REALIZATIONS is that life will not be what you dreamed.
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You’re so American. You believe everything is possible, everything will come. I know differently.
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If you write enough, you begin to learn to do things. But in a way, you do start from zero each time.
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One should not believe too strongly in a life which can easily vanish.
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Dialogue's a method of revelation, of course. A few words of dialogue can reveal worlds about a character.
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I'd given up everything to be a writer, and if I didn't then go on to do that - to write - then I didn't know what would happen to me.
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