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Not necessarily narrow so much as impatient, intense.

James Salter

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James Salter
Aircraft Pilot
Film Director
Novelist
Screenwriter
Writer
New York City
New York
Impatient
Narrow
Intense
Necessarily
Much

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Events need their invitation, dissolutions their start.
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You’re so American. You believe everything is possible, everything will come. I know differently.
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Dresscodes are for styleless people.
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I always knew writing a novel was a great thing.
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Lots of scripts are written and not made, even scripts that people want to make.
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You would have to be very optimistic to think that any of your books will be among the books that survive in the very long run. I think if a writer is lucky enough to still have a few books around after he's gone, a few that are still being read, then he's accomplished quite a lot.
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The normal economic system works itself.
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They lay silently. She was staring at something across the room. She was making him feel uncomfortable. 'It wouldn't work. It's the attraction of opposites,' he said. We're not opposites.' I don't mean just you and me. Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave.
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They are travelling cheaply, with that touch of indolence and occasional luxury that comes only from having real resources. They live in Levis and sunlight. Sometimes they brush their teeth in streams.
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Life passes into pages if it passes into anything.
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One should not believe too strongly in a life which can easily vanish.
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Then it was intoxicating. The smooth takeoff, and the free feeling of having the world drop away. Soon after leaving the ground, they were crossing patches of stratus that lay in the valleys as heavy and white as glaciers. North for the first time. It was still an adventure, as exciting as love, as frightening.
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I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.
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Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave
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You write for glory. You play for glory. There's an ambition to excel, isn't there, to be a star? To score more, to do more, even when it's a team sport. So I think striving for glory is a natural subject for a writer. Seeking fame.
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You lived and died alone, especially in fighters. Fighters. Somehow, despite everything, that word had not become sterile. You slipped into the hollow cockpit and strapped and plugged yourself into the machine. The canopy ground shut and sealed you off. Your oxygen, your very breath, you carried into the chilled vacuum, in a steel bottle.
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A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.
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If you write enough, you begin to learn to do things. But in a way, you do start from zero each time.
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ONE OF THE LAST GREAT REALIZATIONS is that life will not be what you dreamed.
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In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.
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